| Title |
Released |
Cinema |
Notes |
|
|
|
|
| ? |
1884 |
|
65mm |
| Paperfilm |
1888 |
|
54mm |
| ? |
1985 |
|
50mm |
| Demney
Chronophotographe |
1893-1896 |
|
60mm |
| American Mutoscope
and Biograph Co. |
14.09.1896 |
|
62mm. More than a
1000 titles were filmed |
| Footage of Henley
Regatta (S) |
1896 |
|
70mm, AR 1,33:1 |
| Veriscope |
1897 |
|
63mm |
| Corbett and
Fitzsimmons Fight |
1897 |
|
Jim Corbett-Bob
Fitzsimmons Prizefight in Carson City, Nevada, USA |
| |
1897 |
|
63mm Eastman film.
Veriscope by Enoch J Rector. |
| Viventoscope of
Blair |
1900 |
|
48mm. World
Exhibition in Paris, France |
| Georges
Demeny-Gaumont and Prestwich |
1895/1900 |
|
60mm. World
Exhibition in Paris, France |
| Biograph |
1900 |
|
68mm |
| Cinčorama |
1900 |
|
70mm. World
Exhibition in Paris, France |
| Wide Film |
1900 |
|
75mm Brothers
Lumiere. World Exhibition in Paris, France |
| Il Sacco Di Roma
(P) |
1923 |
|
70mm Panoramico
Albernini |
| Widescope |
07.11.1926 |
Cameo, NYC, USA |
57mm. Developed
over several years by George W. Bingham and Mr. John Elms. Same
source claim camera was 5/70mm . Image was split for 2x35mm side
by side projection. |
| You're In The Army
Now (Paramount) (S) |
18.07.1929 |
Rivoli,
NYC, USA |
56mm Magnafilm. Two
reel short. Trade showing only. Project abandoned. |
| Thomas Color
Process |
1942 |
|
65mm. Believed to
have used Fearless Superfilm cameras later redesigned to Todd-AO |
|
Further
in 70mm reading:
Grandeur
Internet link:
(S) = Short film
Assistant editors and co-contributors on large format lists includes
Mike Coate, David Coles, Jeffrey L. Johnson, Scott Marshall, Tak Miagishima,
Rick Mitchell, Dan Scherlock, Richard Vetter and Ingolf Vonau.
Based on material in:
Widescreen Movies (Robet Carr & Michael Hayes)
Four Aspects of he Film (James L Limbach) |
