| Title |
Released |
Cinema |
Notes |
|
|
|
|
| Carousel |
16.02.1956 |
Roxy, NYC |
CinemaScope
55, Shown only in 35mm |
| The King and I |
28.06.1956 |
Roxy, NYC |
CinemaScope
55, Shown only in 35mm. Re-released (Grandeur 70) 23.03.1961
at the Rivoli,
NY, USA |
| De Luxe Tour (S) |
1957 |
|
CinemaScope
55. Partially shot, then abandoned |
| Lenningrad (short
prior to "Annés Defu") |
1961 |
|
|
| Scent of Mystery |
06.01.1960 |
Cinestage, Chicago,
USA |
Todd-70 |
| La Sentinelle
Endormie |
1965 |
|
France.
Dir. Jean Dreville. |
| La Terre Se Repose
(S) |
1967 |
|
Running
time: 8 min. Mitchell 65mm |
| Playtime |
17.12.1967 |
Empire, Paris,
France |
Mitchell
65mm |
| War and Peace |
08.06.1967 |
Coliseum, London,
England |
Blown up
from VistaVision to 2,21:1 |
| The Ten
Commandments |
18.07.1972 |
Casino, London,
England |
Blown up
from VistaVision to 2,21:1 |
| The Circus (S) |
1973 |
, USA |
Photographed with a
modified Todd-AO camera by
Jack Priestly in the 1:2,21 ratio (vertically) |
| Voyage
to the Outer Planets |
1973 |
, USA |
Filmed with a
modified Todd-AO camera
modified to 8-perf and then blown up to IMAX
Dome |
| Svalbard
– Arctic Seasons (S) |
1996 |
|
HKB-65/70 |
| Vertigo |
04.10.1996 |
Ziegfeld, NY, USA |
Blown up
from VistaVision to 1,85:1 |
| We Fight To Be Free
(S) |
2006 |
Ford Orientation
Center and Donald W. Reynolds Museum and Education Center at Mt.
Vernon, USA |
Running
time 22 minutes
Cinematographer: Kees Van Oostrum
Director: Kees Van Oostrum
Country: USA
The story of George Washington, his most important military
achievements and special personal moments in his life. The film
portrays him as a heroic, kind and brave man who is said to be a
father of USA.
It was created using 65mm, 35mm and digital effects plates. The
showing will be of a 35mm print, as well as a DVD version that
includes a feature covering the making of the film.
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Further
in 70mm reading:
Internet link:
(S) = Short film
Assistant contributors on some large format lists includes
Michael Coate, David Coles, Jeffrey L. Johnson, Scott Marshall, Tak Miagishima,
Rick Mitchell, Dan Scherlock, Richard Vetter and Ingolf Vonau.
Based on material found in many sources, including trade papers, Variety,
Wide Screen Movies (Robert E. Carr & R. Michael Hayes) and Four Aspects of The Film (James L Limbacher) |