Digital Symposium
by Bill Kallay |
"Fanny´s Wedding" in 70mm
DTS |
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How not to project
"2001" in 70mm |
Change Comes To LFCA
by Bill Kallay |
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A recent 65mm Production |
Cinerama at the Placa
by Eric White |
A Report from Oslo
By Sheldon Hall |
70mm at the Paramount in
Austin, Texas, USA |
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DVD release of "Around the
World in 80 Days" |
The Picturehouse in Liverpool, UK
Darren Briggs |
Presenting "Earthquake" in
Bradford
Darren Briggs |
Restauration of "Play Time"
By Jean-René FAILLIOT
I saw about forty 70mm boxes come in; among those are
about twenty boxes of 300m. size, quite rusty, but
identified as being the original film. I expected the
worst. |
How Cinerama got the name "Cinerama"
By Dick Babish
Fred Waller called a meeting of all the employees and offered to award a prize of a case of champagne to the one who came up with the most appropriate name. The winner was Waldo McLaury. |
Die
Restaurierung von „Tatis herrliche Zeiten“ |
Projecting
Circlorama in London
by James Robertson |
La restauration de Playtime a été
une aventure passionnante et très enrichissante
by Jean-René FAILLIOT |
Memories of Circlorama
|
Recreating Sensurround
By
Darren Briggs
We first brought "Earthquake" back in November 2003 at
City Screen York. We were asked by Bill Lawrence to bring
the re-creation to the Widescreen Weekend. |
Swissorama
by Lukas Piccolin |
The Wide Screen Revolution (1952 -
1970): Roll The End Credits?
by Rick Mitchell |
"Digital Cinema Initiatives"
by Rick Mitchell |
"Scent of Mystery"
Variety review |
Closure of the Comoedia in Lyon, France
by Jean Noel Durand Bourat |
An Historical Overview Of Wide
Screen Motion Pictures
by Rick Mitchell |
1968: A Roadshow Odyssey
The Original Reserved Seat
Engagements by
Mike Coate |
An Historical Overview Of Wide Screen Motion
Pictures
by Richard Greenhalg |
|
Mike Todd, Jr. Interview |
Mike Todd, Jr. Interview
by Roy Frumkes |
Widescreen
Weekend 2004,
audience reviews, my
story and a
report |
Mike Todd, Jr. Obituary |
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