“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
"The Tree of Life" in 65mm - no 70mm
prints
|
Read more
at
in70mm.com
The 70mm Newsletter
|
Edited by: Thomas Hauerslev,
from Kodak's text |
Date:
19.05.2011 |
Danish
newspaper premiere advert 19.05.2011
From
Kodak's InCamera Magazine
"The Tree of Life" is described as the journey from the innocence
of childhood to a disillusioned adulthood, and the quest to regain
meaning in life. The film, which premiered at Cannes, Monday 16. May
2011 is the latest collaboration between Terrence Malick and Emmanuel
Lubezki, AMC. Their previous film together,
"The New World",
earned Lubezki an Academy Award® nomination for best cinematography, and
was the first studio feature film in nine years to use the 65mm film
format for anything other than visual effects plates. For "The Tree
of Life", Lubezki once again used a mix of 35mm film and regular
65mm, as well as the huge IMAX format.
Why did you choose 65 mm for some scenes?
We chose it because of the high resolution. One of the rules Terry
and I follow is to achieve maximum resolution whenever possible. We
would have preferred to shoot the entire movie on IMAX. When these
scenes appear in the movie, they give you a jolt. It’s a feeling of
enhancement and majesty. It’s almost as if someone cleaned off the
window you were looking through.
Which film stocks did you use?
We used KODAK VISION2 500T Color Negative Film 5218 and KODAK VISION2
200T Color Negative Film 5217. We used ARRI LT and 235 cameras for the
35 mm scenes. The 65 mm camera was a Panavision. We used mostly ARRI
Master Prime lenses. I operated most of the handheld scenes. Handheld
camera plays an important part in Terry’s movies. The post was handled
at LaserPacific and at EFilm in Los Angeles. We have a 2K version going
to Cannes, but we are in the process of doing a 4K DI as well.
|
Further
in 70mm reading:
"The New World" in 65mm - no 70mm
prints
Super
Panavision 70
Douglas Trumbull - A
Conversation
biografmuseet.dk:
"Voyage
of Time"
Opens
16.05.2011: France
19.05.2011: Denmark
27.05.2011: US
|
Dagmar
Cinema (Copenhagen) newspaper advert 19.05.2011
|
|
Grand
Cinema (Copenhagen) newspaper advert 19.05.2011
|
|
|
|
|
|
Go: back
- top - back issues
- news index
Updated
21-01-24 |
|
|