in70mm.com
Home
Sign up for e-news
Now Showing in 70mm
Rumour Mill
Short stories
Table of Content
Seach page
Updates

in70mm News
2012 | 2011 | 2010
2009 | 2008 | 2007
2006 | 2005 | 2004
2003 | 2002 | 2001
2000 | 1999 | 1998

The 70mm Newsletter
2005 | 2004 | 2002
2001 | 2000 | 1999
1998 | 1997 | 1996
1995 | 1994
The Magazine
Writers

Departments
• Large Format Process
Todd-AO
Cinerama
Cinemiracle
65/70mm Workshop
70mm and Cinerama
• Large Format Film
70mm Projectors
DP70 Projector
Library
Rama

People
• Interview
• Remember

70mm Film Festivals
Todd-AO Festival
Widescreen Weekend
Widescreen Academy
More 70mm Festivals

About in70mm.com
Disclaimer
Testimonials
Contact | Staff
Resources
Friends & Sponsors

In foreign language
Auf Deutsch
 

 
eXTReMe Tracker
Visit biografmuseet.dk about Danish cinemas
(in Danish)

"The Master" in 70mm, Los Angeles

Read more at
in70mm.com
The 70mm Newsletter
Documented by: Paul RaytonDate: 16.09.2012
The Cinerama Dome in evening light, September 15, 2012. Image by Paul Rayton

Click the image to see an enlargement

I still do not personally think this development presages a vast and immediate revival of 70mm exhibition,
because, for example, 2 of the 3 cinemas playing it in L.A. had to actually install rented equipment (presumably paid for by P. T. Anderson's production company). The only one "ready to go" was the Dome -- and the Dome was (so I heard) only getting about 6 FL of illumination on the screen, when the nominal standard is at least 14, and a desired level of 16. And the cross reflections from the curve were damaging the contrast (even with the image only at about 1.85:1 aspect ratio), so they made a special print on the "Premiere" stock for the Dome, because of the higher contrast achievable. Everyone else was using prints on standard Vision stock.
 
More in 70mm reading:

"The Master" in 70mm Release

Motion pictures photographed in Super Panavision 70 & Panavision System 65

65/70mm Workshop

Now showing in 70mm in a theatre near you!

The 70mm Rumour Mill

 
The Cinerama Dome September 15, 2012. Image by Paul Rayton

In any event, it's a noble effort by a filmmaker who really knows what he wants to see on the screen -- and can afford to pay amazing sums to achieve his vision -- a situation that is increasingly unusual in the world of show BIZ.
 

Internet link:

"
The Master" on the web

Film Home page
Cigarettes and Red Wines
Guide to 70mm
The Master Wiki

Variety Review
 
The Cinerama Dome September 15, 2012. Image by Paul Rayton

Sad to say, the exterior signage doesn't say anything about 70mm. (sigh!). Just to reinforce the fact that Pacific is not "promoting" the 70mm aspect of the shows, here is a detail of the exterior sign ... well, you show ME where it says 70mm anywhere on the signage...?
 
From the pages of the "L.A. Weekly". Lots of references to his choice to work and show it in 70mm. He primarily refers to the 70mm aspects of the movie in the first page. The rest of it is more about the development history, and the storyline and the characters. You can probably just read the first page and be done with it -- unless you really want to delve into the minutiae of the movie! Paul Rayton

The New Yorker review

New York Post

 
The Cinerama Dome September 15, 2012. Image by Paul Rayton

 
 
The Cinerama Dome September 15, 2012. Image by Paul Rayton

 
 
The Cinerama Dome September 15, 2012. Image by Paul Rayton

 
 
 
"The Master" in 70mm, Los Angeles, click the image to see enlargement

Though some of us never thought we'd see such again, "it's alive"!!!: A new film running as a commercial release, in more than one location, and ads bearing some kind of tagline about "70mm Presentation"!

The Friday paper, as is typical for new openings, had a full-page ad. This smaller ad from the Saturday paper where you can clearly see -- if you zoom in on it -- how they are advertising it, in all the various formats that are running (DCP, 35mm and 70mm).
 
 
  
Go: back - top - back issues - news index
Updated 16-09-12