“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

"SEE IT BIG!" 70MM Series @ Museum of the Moving Image, New York, USA
July 26–September 9, 2018

Read more at
in70mm.com
The 70mm Newsletter
Written by: From the movingimage.us press release Date: 11.07.2018
Entry to the Museum of Moving Image. Picture by Howard B Haas

Astoria, New York, July 9, 2018—For the fourth summer in a row, Museum of the Moving Image will feature Stanley Kubrick’s masterpiece 2001: A Space Odyssey in its popular film series See It Big! 70mm. The film will be shown in the brand new “unrestored” 70mm print released to celebrate the film’s 50th anniversary this year. The sci-fi classic anchors a selection of eight films, including Hollywood classics, a Tobe Hooper cult favorite, and two films by Paul Thomas Anderson. The new print of 2001: A Space Odyssey was struck from new printing elements made from the original camera negative. The Museum will present ten screenings of 2001 from July 26 through August 5—an exclusive New York City presentation during this period.

Continuing through September 9, the series also features three classic Hollywood musicals—The Sound of Music (1965), West Side Story (1961), and Hello, Dolly! (1969)—Cleopatra (1963), starring Elizabeth Taylor and Richard Burton, directed by Joseph Mankiewicz; Tobe Hooper’s sci-fi cult favorite Lifeforce (1985); and Paul Thomas Anderson’s The Master (2012) and Phantom Thread (2017).

Chief Curator David Schwartz said, “The Museum is committed to preserving the theatrical presentation of 70mm films in their original format. With a higher resolution and more light hitting the frame, 70mm film offers a bigger, brighter image than 35mm —there is nothing comparable to the crisp images and rich sound of 70mm film.”

The full schedule is included below and online at movingimage.us/70mm. Except for "2001: A Space Odyssey", tickets are $15 ($5 Museum members / free for Silver Screen members and above). Advance tickets are available online.
 
More in 70mm reading:

"SEE IT BIG!" 2017 70MM Series @ Museum of the Moving Image, New York, USA

7OMM Festival 2016 in New York, USA

See it Big! The 2016 7Omm Show Review

A Nostalgic View of 70mm in New York City - 1950-1970

"Interstellar" in 70MM at the Ziegfeld in New York

The Rivoli Theatre

Now showing in 70mm in a theatre near you!

Internet link:


movingimage.us

Museum of the Moving Image
36-01 35 Avenue Astoria
Astoria, Queens, NY
USA

Press Contact: Tomoko Kawamoto

 

SCHEDULE FOR ‘SEE IT BIG! 70MM,’ JULY 26–SEPTEMBER 2, 2018

 
All screenings take place in the Sumner M. Redstone Theater at Museum of the Moving Image, 36-01 35 Ave, Astoria, New York.

2001: A Space Odyssey
50th anniversary screenings featuring a new 70mm print
THURSDAY, JULY 26, 7:00 P.M.
FRIDAY, JULY 27, 7:00 P.M.
SATURDAY, JULY 28, 3:00 P.M.
SATURDAY, JULY 28, 6:30 P.M.
SUNDAY, JULY 29, 3:00 P.M.
SUNDAY, JULY 29, 6:30 P.M.
THURSDAY, AUGUST 2, 7:00 P.M.
FRIDAY, AUGUST 3, 7:00 P.M.
SATURDAY, AUGUST 4, 2:00 P.M.
SUNDAY, AUGUST 5, 6:30 P.M.

Dir. Stanley Kubrick. 1968, 149 mins. (plus intermission). New 70mm unrestored print from the original camera negative. With Keir Dullea. As brilliantly engineered as the space program itself, Stanley Kubrick’s mysterious and profound epic—“the ultimate trip”—is about nothing less than the beauty and the banality of civilization, blending cool satire, an elaborate vision of the future, and passages of avant-garde cinematic inventiveness. For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation: There are no digital tricks, remastered effects, or revisionist edits. This will be the exclusive New York engagement for July and early August.
Tickets: $20 ($7 Museum members / free for Silver Screen members and above).

The Sound of Music
SATURDAY, AUGUST 4, 6:00 P.M.
SUNDAY, AUGUST 5, 2:00 P.M.

Dir. Robert Wise. 1965, 174 mins. 70mm. With Julie Andrews, Christopher Plummer. One of the most beloved musicals of all time, and the #1 box office hit of the 1960s, The Sound of Music was restored in a sparkling new 70mm print in 2015, for the film’s 50 anniversary. Robert Wise’s sumptuous adaptation of the Rodgers and Hammerstein Broadway show is one of cinema’s greatest musical extravaganzas. Julie Andrews gives an iconic performance as a novice nun whose life changes when sent to care for the bratty children of a handsome military captain (Plummer) on the heels of World War II. The Sound of Music bursts with unforgettable songs and glorious CinemaScope images shot on location in Salzburg, Austria.

West Side Story
FRIDAY, AUGUST 10, 7:00 P.M.
SATURDAY, AUGUST 11, 3:00 P.M.
SUNDAY, AUGUST 12, 6:30 P.M.

Dirs. Jerome Robbins, Robert Wise. 1961, 151 mins. 70mm. With Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno. Beautifully restored in 2011 for the 50th anniversary of its release, West Side Story has stood the test of time as one of the greatest film musicals. In its adaptation of the Romeo and Juliet story—featuring unforgettable songs by Leonard Bernstein and choreography by Jerome Robbins—feuding families are replaced by warring New York City gangs, the white Jets and the Puerto Rican Sharks. When forbidden love escalates their rivalry, tragedy strikes and doesn't stop until the climactic ending.

Hello, Dolly!
SATURDAY, AUGUST 11, 6:30 P.M.
SUNDAY, AUGUST 12, 3:00 P.M.

Dir. Gene Kelly. 1969, 146 mins. 70mm. With Barbra Streisand, Walter Matthau, Louis Armstrong, Tommy Tune. Gene Kelly, the legendary dancer and choreographer, directed this splashy and delightful adaptation of the hit Broadway musical, with Barbra Streisand starring as the meddling Yonkers matchmaker. Exuberantly blending real locations in Manhattan and Yonkers with the stylization of classic Hollywood musicals, Kelly’s film is an underrated big-screen delight.

Lifeforce
FRIDAY, AUGUST 17, 7:00 P.M.
SUNDAY, AUGUST 19, 6:30 P.M.

Dir. Tobe Hooper. 1985, 116 mins. 70mm. With Steve Railsback, Mathilda May, Peter Firth, Frank Finlay, Patrick Stewart. Nude space vampires arrive in London and infect the populace in this florid science fiction/horror mashup directed by Tobe Hooper (Texas Chainsaw Massacre, Poltergeist) and adapted by Alien writers Dan O’Bannon and Don Jakoby. After a trio of humanoids is discovered in the hold of an abandoned space shuttle, they are brought to London’s Space Research Center for examination. But, led by the beautiful female alien who desiccates every researcher in her path, they escape and wreak havoc while the sole survivor of the shuttle mission tries to save the city. Acclaimed for its special effects, Lifeforce struggled commercially upon release but has since attained cult status.
 
 
Amy Adams (left) and Philip Seymour Hoffman (center) in THE MASTER (2012, Dir. Paul Thomas Anderson). Credit: Image courtesy of The Weinstein Company.

Cleopatra
SATURDAY, AUGUST 18, 1:00 P.M.
SUNDAY, AUGUST 19, 1:00 P.M.

Dir. Joseph L. Mankiewicz. 1963, 250 mins. 70mm. With Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown, George Cole, Hume Cronyn, Martin Landau, Roddy McDowall. In this epic story about love and power, the legendary Egyptian queen tries to use her beauty to conquer the Roman Empire. Notorious for its protracted production schedule and enormous sets, Cleopatra was, to date, the most expensive film ever made; it was a flop for Twentieth Century Fox in spite of its being the top-grossing film in 1963. Behind-the-scenes intrigue also contributed to its status as a colossal cultural event—first, Liz Taylor almost died from pneumonia, and then she began an affair with co-star Richard Burton. Their real-life chemistry intensifies the performances onscreen in this colorful spectacle from a script by Joseph Mankiewicz. The photography is by the great Leon Shamroy (Leave Her to Heaven, Planet of the Apes).

"Phantom Thread"
THURSDAY, AUGUST 23, 7:00 P.M.
FRIDAY, AUGUST 24, 7:00 P.M.
SUNDAY, AUGUST 26, 3:00 P.M.
SUNDAY, AUGUST 26, 6:00 P.M.
SATURDAY, SEPTEMBER 1, 7:00 P.M.
SUNDAY, SEPTEMBER 2, 2:30 P.M.
SUNDAY, SEPTEMBER 9, 6:30 P.M.

Dir. Paul Thomas Anderson. 2017, 130 mins. 70mm print courtesy Focus Features. With Daniel Day-Lewis, Vicky Krieps, Lesley Manville. The turbulent romance between renowned dress designer Reynolds Woodcock and his young muse, Alma, is at the center of Paul Thomas Anderson’s magnificently lush melodrama, set in 1950s England. Obsessive, fastidious, with a heightened sense of aesthetics, Day-Lewis’s Woodcock is an enthralling study of an artist at work, and of a relationship that is equally nourishing and destructive. Exquisitely realized at every level, Phantom Thread is greatly enhanced by the rich details revealed in the 70mm format.

"The Master"
SATURDAY, SEPTEMBER 1, 2:30 P.M.
FRIDAY, SEPTEMBER 7, 7:00 P.M.
SUNDAY, SEPTEMBER 9, 3:00 P.M.

Dir. Paul Thomas Anderson. 2012, 144 mins. 70mm. With Philip Seymour Hoffman, Amy Adams, Joaquin Phoenix. Phoenix, Hoffman, and Adams all received Oscar nominations for their performances in Paul Thomas Anderson’s spellbinding saga of post–World War II America. Phoenix creates the unforgettable Freddie Quell, a wayward soul who falls under the spell of a spiritual guru (Philip Seymour Hoffman in one of his greatest performances), who may or may not be a huckster. In this haunting drama, Anderson creates one mysterious, richly evocative image after another.
 
 

MUSEUM INFORMATION

 
Press contact: Tomoko Kawamoto, tkawamoto@movingimage.us / 718 777 6830

Museum of the Moving Image (movingimage.us) advances the understanding, enjoyment, and appreciation of the art, history, technique, and technology of film, television, and digital media. In its stunning facility—acclaimed for both its accessibility and bold design—the Museum presents exhibitions; screenings of significant works; discussion programs featuring actors, directors, craftspeople, and business leaders; and education programs which serve more than 50,000 students each year. The Museum also houses a significant collection of moving-image artifacts.

Hours: Wed–Thurs, 10:30 a.m.–5:00 p.m. Fri, 10:30 a.m.–8:00 p.m. Sat–Sun, 10:30 a.m.–6:00 p.m.
Museum Admission: $15 adults; $11 senior citizens (ages 65+) and students (ages 18+) with ID; $9 youth (ages 3–17). Children under 3 and Museum members are admitted free. Admission to the galleries is free on Fridays, 4:00 to 8:00 p.m.
Film Screenings: Fridays, Saturdays, and Sundays, and as scheduled. Unless otherwise noted, tickets: $15 adults, $11 students and seniors, $9 youth (ages 3–17), free or discounted for Museum members (depending on level of membership). Advance purchase is available online. Ticket purchase may be applied toward same-day admission to the Museum’s galleries.

Location: 36-01 35 Avenue (at 37 Street) in Astoria.
Subway: M or R to Steinway Street. N or W to 36 Ave or Broadway.
Program Information: Telephone: 718 777 6888; Website: movingimage.us
Membership: http://movingimage.us/support/membership or 718 777 6877

Museum of the Moving Image is housed in a building owned by the City of New York and has received significant support from the following public agencies: New York City Department of Cultural Affairs; New York City Council; New York City Economic Development Corporation; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; Institute of Museum and Library Services; National Endowment for the Humanities; National Endowment for the Arts; and Natural Heritage Trust (administered by the New York State Office of Parks, Recreation and Historic Preservation). For more information, please visit movingimage.us.
 
 
   
Go: back - top - back issues - news index
Updated 21-01-24