Restored by: Robert A. Harris. Restoration produced by: James C. Katz. Restoration and Technical Assistant: Michael Hyatt. 65mm Preservation Interpositive by: Deluxe Laboratories. Color Timer: Bill Pine. Re-recorded at: Warner Hollywood Studios, Goldwyn Sound Facility. Mixer: Robert Litt. Recordists: Jack Keller, David Behle. Transfer Supervisor: Brian Kane. Dolby Stereo Consultant: Douglas Greenfield. Main Title and Additional Scenes digitally restored at: CINESITE, an Eastman Kodak Company. Digital Supervisor: Brad Kuehn. Production Coordinator: Gil Gagnon. Digital Artists: Thomas J. Smith, Kevin Lingenfelser, Jerry Pooler. Technical Assistant: Greg Leigy. Optical & Title Restoration by: Imagica USA Inc, Christopher Reyna, Jay Cox, Tetsue Kuwano, Alan Markowitz. Negative Cutting by: Ice Negative Cutting, Boyd Steer, Joe Gonzalez. Titles by: Pacific Title. Assistant to Mr. Harris: Joanne Lawson. Restoration produced on: Eastman Kodak Films. Special Thanks to: Academy of Motion Picture Arts and Sciences Film Archive, Gene Allen, Boston Light & Sound, Four Season Hotel Los Angeles at Beverly Hills, Panavision, PRO-TEK Film Preservation Vault. Presented in 70mm in: Dolby Stereo. Presented in 35mm in: Dolby Stereo Digital/DTS Digital Sound. Copyright MCMXCIV CBS Inc. All rights reserved.
The soundtrack has been made available on a new CD from SONY MUSIC SK 66711. The soundtrack was originally recorded in Hollywood, California April 14, 16-17 1964. It has been remixed and mastered by Darcy Cooper using 20-bit technology. Total playing time is 73 minutes including some clips of dialogue.
| Further in 70mm reading:
Note from Robert Harris and James Katz
"My Fair Lady" restoration
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