| Issue 37 | |
| MGM Bournemouth, Bournemouth, England | The 70mm Promotion Tour 1994, part #2 |
| Hans Kristian Bukholm Interview. Filming of "Svalbard - Artic Seasons" | A Message from Freddie A. Young |
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| Issue 38 | |
| John Steven Lashers' Kinopanorama of 1995 | "Bounty" credits |
| Kinopanorama Camera | Theater aan de Parade, Den Bosch, The Netherlands |
| "My Fair Lady" restoration credits |  Restoration of "My Fair Lady"
By 20th Century Fox
"My Fair Lady" has undergone a miraculous transformation from tatters to splendour by Robert A. Harris and James C. Katz |
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| Issue 39 | |
| Distribution of German 70mm short | The 70mm Newsletter on the air |
| 70mm Restorations | 70mm films on LaserDisc. Part 1 |
| "Samsara" a 70mm film project by Ron Fricke | "Samsara" an outline of the film |
| Ron Fricke 70mm film maker | |
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| Issue 40 | |
| Cinema Expo International in Amsterdam | My first encounter with 70mm film |
| Format Seminar in London "All formats great and small" | |
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| Issue 41 | |
| Cinema Profile Harbour Lights Cinema, Southampton, England | 70mm films on LaserDisc. Part #2 |
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| Issue 42 | |
| | Todd-AO Description of Todd-AO Mark III Printer Principle |
| Full credits for "Oklahoma!" | The Samuel Goldwyn Co 1982 re-release of "Oklahoma!" |
| Rivoli Theatre according to the Independent Film Journal | New York Times' "Oklahoma!" 1955 Review |
| Hollywood reporter's "Oklahoma!" 1955 Review | Todd-AO "Oklahoma!" Printing Operation in the Todd-AO Mark III Printer |
 How Todd-AO Began
By Brian O'Brien, Jr.
My father was a college professor, uninterested in show business, and had never heard of Mike Todd, so when Mike called him late one night saying he wanted a meeting, my dad was naturally cautious. |  Distortion Correcting Printing Process
By Grant Lobban
The process was originally designed to eliminate keystone distortion, distortion resulting from using a deeply curved screen, plus correcting the distortion arising from use of the extremely wide-angle lenses |
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