| |
12th Todd-AO Festival at the Schauburg
30. September - 2. October, 2016 |
Read more at in70mm.com The 70mm Newsletter
|
Written
and organized by: Herbert Born & Thomas Hauerslev,
Schauburg Cinerama Theatre, Karlsruhe, Germany |
Date:
02.04.2016
Updated
28-07-24 |
KARLSRUHE,
April 2016 / in70mm.com news. We have launched the 12th instalment of the
“Todd-AO 70mm Festival“ to be held from 30. September - 2. October, 2016 at the
Schauburg Cinerama in Karlsruhe, in the south West of Germany. For three days in October
Filmtheater Schauburg
celebrates the world of LARGE FORMAT film, by offering a series of epic
films in 70mm - the Ultra HD of film formats.
The Todd-AO Festival at the Schauburg is about going to the movies in style. Seeing
the films at the Schauburg is like seeing the films as they were
originally presented - in a big cinema, on a huge curved screen with red
curtains. It's all about showmanship and presentation, and very few
cinemas today - if any - do it better than the staff of the Schauburg.
From vintage classics to the latest Roadshow 70mm films, all of which
proudly carry trade names of large format motion picture processes. The festival is much more than 70mm films. Enjoy Schauburg's
famous breakfast buffet, listen to lectures and witness a special
section with rarely seen 70mm short films. On Friday night, festival
sponsor the local brewery Hoepfner traditionally hosts a ”Hoepfner Get
together” with free beers.
Included in the ticket is also the 40-48 page full-color printed souvenir
program especially made for the Todd-AO Festival. It includes detailed
information and pictures of the films shown, as well as an article or
two, relevant to the weekend. A treasure to take home and keep. All
free of charge and included in the festival ticket.
Join us and be part of this unique event and share the excitement
together with visitors from all around the world - including Austria,
Switzerland, Holland, Germany, Denmark, England, USA, Japan, Sweden and France
- and hopefully many more.
Some films are in their original English versions and some "70mm Vintage
Classics", are dubbed into German. Due to the age of the prints, many
have lost their color and are faded. But they are ORIGINAL premiere 70mm
prints from the 1960s.
Like all modern cinemas, The Schauburg enjoys the benefits and
advantages of digital projection technology, but the "Todd-AO Festival
Policy" is simple. NO DIGITAL! No compromise at the Schauburg
where 70mm is concerned! That is our Todd-AO Festival hall mark, as we
honour 60 years of 70mm projectionist tradition, and present film as
they were meant to be presented, on genuine 70MM film, done by real
people.
One of very few original cinemas, still equipped with 70mm projectors.
A new Harkness screen was installed for the 11th Todd-AO Festival
in 2015.
The screen is 16,15
meters wide along the curve, screen chord is 14 meters, Todd-AO
height is 6,4 meters, and the
depth of the screen is 3,45
meters. Projection distance is
23,8 meters, radius is 8,8 meters and screen curvature is
approximately 105 degrees. The
curved screen has both vertical and horizontal moveable masking and
covered with a "Cinerama
red" curtain.
"No expenses are spared
to give you the very best experience.", says Herbert Born, and he
continues: "It is a Harkness Perlux 140 with a 1,4 gain which helps to reduce the cross
reflections of the deeply curved Cinerama screen at the Schauburg."
|
More in 70mm reading:
Todd-AO Festival Home
• 12. Todd-AO Festival
• Wilkommen |
Welcome
•
Intro | Festival
Images
•
2016 Festival Flyer (PDF)
Festival Archives
•
Festival Through the Years
•
Festival Schedule
and Archive
•
More Schauburg Cinerama
Festivals in Pictures
•
Schauburg Cinerama
•
Best of Todd-AO Festival
• Guests |
Billboards |
Posters
Internet link:
•
Schauburg.de
• Ticket reservation
Filmtheater Schauburg
Att:
Herbert Born
Marienstraße 16
76137 Karlsruhe
Germany
|
• "in 70mm" is unlike anything you have ever seen - a High Definition
movie experience with extremely sharp images and crystal clear 6 track
stereo.
• "in 70mm" is very realistic, almost three dimensional and can make
everything you have ever seen pale into insignificance. But don't take
our word for it - come and see for your self.
All 70mm films will be projected by vintage and historically correct
Philips DP70 and
DP75 projectors. Magnetic sound by Dolby Laboratories sound
equipment and state of the art Alcon speakers.
Herbert Born Filmtheater Schauburg
Tickets will be available for purchase in August 2016.
For more information about the film festival, including screening times,
visit: www.schauburg.de
and www.in70mm.com
in the fall of 2016.
Media contact; Herbert Born
Latest news:
•
Go to
Todd-AO Festival Film
Introductions, 2016
•
Go to
Picture
gallery from 12th Todd-AO Festival
•
Go to
7OMM
allerdings ein verdammt guter Grund
•
Go to
70MM is a Pretty Good Reason - Foreword
for 2016
• Schauburg 2016 Todd-AO Festival
Flyer
• "2OO1"
& Jan
Harlan goes to Karlsruhe
• 70MM
at the Schauburg
•
Portrait of the Schauburg Cinerama
• A DP70,
DP75 and a Bauer U2 will be
on display during the festival
Festival Highlights:
• Todd-AO Festival Program 2005-2015
• PDF: Alle 70mm Filme in Karlsruhe 2005-2015
by Werner Neuner
• Schauburg Cinerama, Home of The Todd-AO
Festival
• Todd-AO Festival Archive
|
|
Todd-AO Festival - Weekend 70MM Film Program
= German language version.
|
|
Thursday, 29. September 2016 - Festival
warm-up
|
|
The Schauburg
Cinerama's practical information |
Einzelticket
pro Film 12,00
Einzelticket pro Film Student 9,00
Einzelticket Kind (bis 14 Jahren) 5,00
Tagespass (1 Tag) für alle Veranstaltungen des Tages inkl. Verpflegung
50,00
Tagespass (1 Tag) Student 40,00
Festivalpass (3 Tage) für alle Festivalveranstaltungen 120,00
Festivalpass (3 Tage) Student 85,00
The weekend pass includes entrance to all screenings at the festival,
the festival brochure.
The Weekend Pass also includes the following additional bonuses:
• Welcome Coffee/Tee, Softdrink on arrival • Festival Program brochure • Entrance to Friday's get together with free beer specialties from the local HOEPFNER brewery • Breakfast buffet on Saturday and Sunday morning at 09.00 in the SCHAUBURG
Cinerama lounge
• Dinner break on Friday
• Complimentary lunch and dinner break on Saturday and Sunday
• Meet the film people
Schauburg
Ticket reservation
|
"2OO1"
& Jan
Harlan goes to Karlsruhe
By Thomas Hauerslev
Jan Harlan will
introduce a digital screening of "2OO1: A Space Odyssey" on September 29th,
at the Schauburg. Jan have flown over from London especially to be with us that
night.
Throughout the weekend, we are quite sure, that "2OO1" in 2K, surely
will be a topic of passionate discussions among the audience and 7OMM fans alike. Hopefully there will be no extremely odd things
going on, and "2OO1"
will look and sound better than ever. Please welcome Jan Harlan with us at the Schauburg.
•
Go to
Schnitzled-up with Jan
Harlan in Karlsruhe
|
|
|
|
20:00 Festival warm-up |
Original titel:
2OO1: A Space
Odyssey / USA 1968.
Filmed in
Super Panavision 70 (2,21:1). Presented in
2K DCP Cinerama (2,20:1) / 6 track digital stereo / 142 minutes. World premiere: 02.04.1968.
German premiere: 11.11.1968.
Produktion: Stanley Kubrick. Regie: Stanley
Kubrick. Buch: Stanley Kubrick, Arthur C. Clarke.
Vorlage: Arthur C. Clarke (Kurzgeschichte). Kamera:
Geoffrey Unsworth, John Alcott. Musik: Aram
Khatschaturian, Richard Strauss, Johann Strauß, György Ligeti.
Schnitt: Ray Lovejoy
Darsteller: Keir Dullea (David Bowman), Gary Lockwood (Frank
Poole), William Sylvester (Dr. Heywood Floyd), Leonard Rossiter
(Smyslov), Daniel Richter (Mondbeobachter), Robert Beatty (Halvorsen),
Frank Miller (Chef der Expedition), Ed Bishop
Ein geheimnisvoller schwarzer Monolith, der offenbar von
Außerirdischen stammt, beeinflusst in grauer Vorzeit die
Entstehung von Intelligenz und den "Aufbruch der Menschheit",
wird Jahrtausende später von Wissenschaftlern auf dem Mond
entdeckt und lockt ein Forschungsraumschiff in Richtung Jupiter.
Die Mission endet nach dem Versagen des Bordcomputers mit einer
Katastrophe; der einzig überlebende Astronaut begegnet der
außerirdischen Macht und erfährt eine kosmische Wiedergeburt.
Kubricks fantastisches Kinoabenteuer vereint technische Utopie
und kulturphilosophische Spekulation zu einer Weltraumoper von
überwältigendem Ausmaß. Der kühne gedankliche Entwurf des Films
(eine Entwicklungsgeschichte der Menschheit voller Skepsis und
bitterer Ironie) wird mit nicht minder kühnen optischen Effekten
und einer revolutionären Tricktechnik realisiert, die das Genre
des Science-Fiction-Films in den folgenden Jahren entscheidend
prägten. (Quelle: Film-Dienst)
Roadshow version with intermission
Academy Awards
• Best Effects, Special Visual Effects: Stanley Kubrick
Academy Awards Nominated
• Best Director: Stanley Kubrick
• Best Writing, Story and Screenplay: Stanley Kubrick & Arthur
C. Clarke
• Best Art Direction-Set Decoration: Anthony Masters, Harry
Lange & Ernest Archer
•
Stanley Kubrick's "2OO1: A Space Odyssey"
•
Douglas Trumbull - A Conversation
•
The Importance of Panavision
"2OO1: A Space Odyssey" is shown outside official
Todd-AO Festival program. Separate price applies.
|
|
|
|
|
Friday, 30. September 2016
|
|
Festival Welcome |
Welcome
to the 12thy Todd-AO Festival. Meet and greet friends of 70mm and
curved screens. Talk about vinegar, pink prints and the big
classics.
This festival, dedicated to a movie format nearly 60 years old, is
a dream for a lot of movie fans around the world. Today, movies
and cinemas have reached a time of change – a change from film
based to digital cinema and a change in the way movies are felt
and understood. We are sure, that our “Todd-AO 70mm Festival”
presented on the curved screen of the Schauburg not only will
make you remember cinema-going from a time long ago, but also
make you aware of the responsibility we all have: To honour the
genius of so many people who have given us stories and
unforgettable moments in breathtaking and crystal clear large
format pictures.
Let us hope, that the splendour of 70mm not only serves our
nostalgic dreams, but also offers the chance for a young
audience to experience a historic and magic landmark of cinema.
Herbert Born
Schauburg Kino
Karlsruhe, Germany
|
|
11:00
- 13:20 "Wiedersehen in Howards End"
Original title: Howard's End / USA 1992. Filmed in
Super 35. Presented in 70mm (2,20:1) / 6 track Dolby
Stereo. German version / 140 minutes / Original premiere print.
World Premiere: 13.03.1992.
German premiere: 29.10.1992.
Produktion: Ismail Merchant, Ann Wingate.
Regie: James Ivory.
Buch: Ruth Prawer Jhabvala.
Vorlage: E.M. Forster (Roman).
Kamera: Tony Pierce-Roberts.
Musik: Richard Robbins.
Schnitt: Andrew Marcus
Darsteller: Emma Thompson (Margret Schlegel), Anthony Hopkins (Henry Wilcox),
Vanessa Redgrave (Ruth Wilcox), Helena Bonham Carter (Helen Schlegel), James
Wilby (Charles Wilcox), Samuel West (Leonard Bast), Prunella Scales (Tante
Juley), Jemma Redgrave (Evie Wilcox)
Kunstvoll ausgemaltes Gesellschafts- und Sittenbild aus dem viktorianischen
England um die Jahrhundertwende, wo sich Persönlichkeiten aus zwei Familien mit
erzkonservativen Auffassungen und emanzipatorischen Idealen in den dadurch
ausgelösten Liebesschicksalen und Lebenskrisen gegenüberstehen. Die Verfilmung
folgt zwar genau dem psychologischen Wahrheitsgehalt der Vorlage, stumpft ihre
ironisch-kritische Gesellschaftsbelichtung aber durch schwelgerische Ästhetik
ab. Sie verschenkt zugunsten einer gepflegt-nostalgischen Unterhaltung die
Chance, den Gegensatz von gesellschaftlich bedingtem "Scheinleben" und
wirklicher Persönlichkeitsstruktur und Lebensempfindung zu einem zeitlos
ansprechenden Gleichnis zu formen. Hervorragend gespielt und fotografiert.
(Quelle: Film-Dienst)
Academy Awards, USA 1993
Best Actress in a Leading Role
Best Writing, Screenplay Based on Material Previously Produced or
Published
Best Art Direction-Set Decoration
Academy Awards Nominated
Best Picture
Best Actress in a Supporting Role
Best Director
Best Cinematography
Best Costume Design
Best Music, Original Score
•
70mm Blow Up
List 1992 - by in70mm.com
•
Grant's
Blow-Up-Tagebuch
|
•
Go to
Presented in 70mm
Dolby Stereo |
|
Coffee & Kuchen /
Afternoon tea & coffee |
"Roadshow", "Six-track", "Intermission", "Curved screen", "Epic" -- all
familiar words for the knowledgeable 70mm fan. Words we all know and love,
because we know what they mean: A return to the Schauburg in Karlsruhe, and
the annual gathering of fans of large format film. 3 days where we all go
wide-eyed for 12 hours each day.
•
In the Splendor of 70mm
•
In the Splendor of 70mm
|
|
|
|
14:30 - 17:03
"Empire of the Sun"
Original title: Empire of the Sun / USA 1987. Filmed in
Widescreen 1,85:1. Presented in 70mm (1,85:1) / 6 track Dolby
Stereo. English version / 153 minutes / Original premiere print. World
premiere: 09.12.1987. German premiere: 10.03.1988.
Produktion: Steven Spielberg, Kathleen Kennedy, Frank Marshall.
Regie: Steven Spielberg.
Buch: Tom Stoppard.
Vorlage: J.G. Ballard (Roman).
Kamera: Allen Daviau.
Musik: John Williams.
Schnitt: Michael Kahn
Darsteller: Christian Bale (Jim), John Malkovich (Basie), Miranda Richardson
(Mrs. Victor), Nigel Havers (Dr. Rawlins), Joe Pantoliano (Frank Demarest),
Leslie Phillips (Maxton), Masatô Ibu (Sgt. Nagata), Emily Richard (Mary Graham),
Rupert Frazer (John Graham), Ben Stiller (Dainty), Robert Stephens (Mr.
Lockwood), Ralph Michael (Mr. Partridge)
Die Evakuierung Shanghais und der japanisch-chinesische Krieg als Hintergrund
für die dramatische Fluchtgeschichte eines zwölfjährigen Engländers im Jahr
1941. Der mit immensem Aufwand inszenierte Film imponiert vor allem in den
Massenszenen; er ist darüber hinaus hervorragend gespielt von dem jungen
Hauptdarsteller, dessen Perspektive er rigoros übernimmt. Damit wird er jedoch
über weite Strecken zu melodramatisch und bleibt zu wenig informativ. (Quelle:
Film-Dienst)
Academy Awards, USA 1988 Nominated
Oscar Best Cinematography
Best Art Direction-Set Decoration
Best Costume Design
Best Sound
Best Film Editing
Best Music, Original Score
• 70mm Blow Up List
1987 - by in70mm.com
•
|
|
Dinner/Imbiß - Break. Gemeinsames Essen / Buffett |
Join us and be part of this unique event and share the excitement
together with visitors from all around the world - including Austria,
Switzerland, Holland, Germany, Denmark, England, USA, Sweden and France
- and hopefully many more.
|
|
19:00
- 21:31 "Batman v Superman: Dawn of Justice"
Original title: Batman v Superman: Dawn of
Justice / USA 2016. Filmed in
Panavision 2;39:1 + 5/65mm + IMAX 65mm. Presented in 70mm (2,20:1) / 6
track DATASAT stereo. English version / 151 minutes / Original premiere
print. World premiere: 12.03.2016 (Beijing. German premiere:
24.03.2016.
Produktion: Charles Roven, Deborah Snyder, Curt Kanemoto, Jim Rowe, Gregor
Wilson.
Regie: Zack Snyder.
Buch: Chris Terrio, David S. Goyer
Kamera: Larry Fong.
Musik: Junkie XL, Hans Zimmer.
Schnitt: David Brenner
Darsteller: Henry Cavill (Clark Kent / Superman), Ben Affleck (Bruce Wayne /
Batman), Amy Adams (Lois Lane), Jesse Eisenberg (Lex Luthor), Diane Lane (Martha
Kane), Laurence Fishburne (Perry White), Jeremy Irons (Alfred Pennyworth), Holly
Hunter (Finch), Gal Gadot (Diana Prince / Wonder Woman), Jason Momoa (Arthur
Curry / Aquaman), Ezra Miller (Barry Allen / The Flash), Ray Fisher (Victor
Stone / Cyborg), Harry Lennix (General Swanwick), Michael Shannon (Zod), Tao
Okamoto (Mercy Graves)
Als außerirdische Schurken Metropolis zerstören, wendet sich die öffentliche
Stimmung gegen den Superhelden Superman. Vor allem dessen Kollege Batman
zweifelt an Supermans Verlässlichkeit und stellt sich ihm entgegen, während ein
gemeinsamer Feind eine neue Bedrohung ausheckt. Bombastisches Action- und
Heldenspektakel, hinter dessen zahlreichen Kampf- und Explosionssequenzen sich
eine krude Zerstörungsästhetik bar jeder Ironie offenbart. Sowohl als
Fortsetzung von gleich zwei Filmreihen als auch als Scharnier zu einem ganzen
Superhelden-Universum ist der unkonzentrierte Film zudem erzählerisch
überlastet. (Quelle: Film-Dienst)
• Batman vs.
Superman in 15/70 IMAX 70mm
• March
Madness: "Batman v. Superman"
|
|
From
21:45 Get together with Hoepfner and
friends
Herbert Born, theatre manager of the Schauburg will again - personally - and
with great skills, serve chilled Hoepfner Brau to everyone after "Batman v Superman: Dawn of Justice" adventure.
The Get Together is always very popular, so be sure to stand in line. Our
friend at Hoepfner Brau have have kindly sponsored the beer.
•
Pictures
from 11th Todd-AO Festival
|
|
|
|
|
Saturday, 1. October 2016
|
|
09.00 - 10.00 Full 70mm Breakfast |
Full
weekend Schauburg 70mm Breakfast for festival pass holders
in Schauburg Cinerama Lounge on the 1st. floor.
Schauburg Kino's famous breakfast menu. Enjoy hot and cold with
bread, pretzels fresh fruit. Hot sausages, scrambled eggs and
bacon. Butter, honey and jam. Salami, smoked salmon, ham and
apples served with juice, milk, coffe and the (green & black) and
something for the sweet tooth too!
|
|
7OMM Short Films Parade |
10:00
- 11:00
"Concorde",
1966
Written and Directed by Pierre Jallaud. Produced by
Sylve Jallaud. Photography Georges Barsky. Editing
Philippe Gosselet. An Objectifs Production
Randy Gitsch (2009): "An Anglo-French production,
directed by Pierre Jallaud, and for Open University
Productions. This is a background sketch on the
about-to-be-unveiled supersonic airplane that I must
admit, keeps you in suspense. Be sure to check out the
shoes worn by the wing-makers in Toulouse."
"Bridge to Space", 1968
Directed by Robert Gaffney. Produced by Charles R.
Trieschmann. Edited by Angeleo Ross, A.C.E. Cinerama
Inc. and Seneca Productions. Technicolor
Randy Gitsch (2009): “Bridge to Space" (1968) was
directed by “Cinerama Holiday”,
"Windjammer"
and "Sky over Holland" widescreen veteran Robert
Gaffney, for N.A.S.A. and Gaffney’s own Seneca
Productions. Shot on Merritt Island and at Cape
Canaveral, and inside what was then, and may still be,
the largest building in the world.
Bob Gaffney told me
last week that N.A.S.A. insisted on making a shorter,
cut-down version of this picture for television, which
he then disowned".
• Interview
with producer Randy Gitsch
• The
History of 70mm Short Subjects
|
|
11:00
- 12:15 "Секрет успеха / Sekret uspekha / Bolshoi Ballet
67"
Original title: Секрет Yспеха / Sekret Uspekha /
Bolshoi Ballet 67 USSR 1965. Filmed in
Sovscope 70. Presented in 70mm (2,20:1) / 6 track magnetic
stereo. German version / 75 minutes / Original premiere print.
World Premiere: 17.03.1965.
East
German premiere: 25.12.1965.
Regie: Leonid Lawrowski, Alexander Schelenkow.
Buch: Lew Arnschtam, Leonid Lawrowski, Alexander Schelenkow.
Kamera: Alexander Schelenkow, J. Tschen
Musik: Nikolai Jakowlew.
Darsteller: Raissa Strutschkowa, A. Ossipenko, E. Maximowa, Natalja Bessmertnowa
Fleiß, Hingabe und Entbehrungen bestimmen den Lebensweg sowjetischer Tänzer.
Szenen aus der Werkstatt des Bolschoi-Theaters; ein sehr konventioneller
Ballettfilm. (Quelle: Film-Dienst)
•
Sovscope 70 -
70mm Films in USSR
•
Foreign 70mm
Films in Russia |
|
13:15 –
15:24
"Gorillas im Nebel"
Original title: Gorillas in the Mist Filmed
in: 35mm 4 perforations, 24 frames per second. Principal
photography in: Panavision sherical 1,85:1. Presented in:
70mm (1,85:1) / 6 track Dolby Stereo. German version / 129 minutes /
Original premiere print. Aspect ratio: 1,85:1. Country of origin: USA.
Production year: 1988. World Premiere: 7. October 1988. German premiere:
2. February 1989
Produktion: Arne Glimcher, Terence Clegg.
Regie: Michael Apted.
Buch: Anna Hamilton Phelan.
Vorlage: Dian Fossey (Autobiografie), Harold T.P. Hayes (Artikel).
Kamera: John Seale.
Musik: Maurice Jarre.
Schnitt: Stuart Baird
Darsteller: Sigourney Weaver (Dian Fossey), Bryan Brown (Bob Campbell), Julie
Harris (Roz Carr), John Omirah Miluwi (Sembagare), Iain Cuthbertson (Dr. Louis
Leakey)
Die Lebensgeschichte der amerikanischen Anthropologin Dian Fossey, die in den
unzugänglichen Bergen Ruandas das Verhalten der vom Aussterben bedrohten
Gorillas studiert. Sie entwickelt eine starke Beziehung zu den Menschenaffen,
denen sie sogar ihre Liebe zum Fotografen Bob Campbell opfert. Ihre zunehmende
Verschrobenheit und ihr unerbittlicher Kampf gegen Wilderer münden schließlich
in ihrer Ermordung. Obwohl etwas zu einseitig der Faszination von Person und
Aufgabe erliegend, entwirft der an Ort und Stelle gedrehte Film die
eindrucksvolle Geschichte eines modernen wissenschaftlichen Abenteuers. (Quelle:
Film-Dienst)
Academy Awards, USA 1990 Nominated
Oscar Best Actress in a Leading Role
Best Writing, Screenplay Based on Material from Another Medium
Best Sound
Best Film Editing
Best Music, Original Score
•
70mm Blow Up
List 1988 - by in70mm.com
|
|
Coffee & Kuchen /
Afternoon tea & coffee |
This
is a BIG weekend, in the BIG film format on our a BIG screen. Be
a part of this unique event and share the excitement together
with visitors from all around the world - including Germany,
Denmark, England, USA and France - and hopefully many more.
For three days
"Filmtheater Schauburg", presents
a dozen classic film epics in the king of all film
formats: 70mm. This is a High Definition movie experience with
extremely sharp images and vintage clear 6-track stereo.
•
In the Splendor of 70mm
•
In the Splendor of 70mm
|
|
|
|
Johan Wolthus is attending The 12th Todd-AO Festival |
Johan
Wolthuis (1940), Dutch 70mm enthusiast of the International 70mm
Publishers and
Widescreen Academy
member, will be present in Karlsruhe on the occasion of
the 12th Todd-AO Festival. Johan will be present to talk
about his passion for 70mm, sell his latest publication
"Widescreen
History", and do book signing during the 70MM Event.
Additionally Johan will bring his large format
scrapbooks about
Oklahoma!,
Lawrence of Arabia,
Far and Away and
Around the World in 80 Days,
the latter with many pictures of Michael Todd and
Elizabeth Taylor.
The 2014 publication “WIDESCREEN HISTORY” will be for
sale in Karlsruhe (signing included!) for € 13.50, £
12.50, or US$ 19.50.
Johan Wolthuis looks forward to seeing you in Karlsruhe |
|
16:15
- 18:30 "The Hunt for Red October"
Original title: The Hunt for Red October Filmed
in: 35mm 4 perforations, 24 frames per second. Principal
photography in: Panavision. Presented in: 70mm (2,21:1) / 6 track Dolby Stereo.
Format 43, SR-type NR, Baby Boom & split surrounds / 135
minutes / Original premiere print. Aspect ratio: 2,21:1. Country of origin: USA.
Production year: 1990. World Premiere: 02.03.1990. German premiere:
9 August 1990
Produktion: Mace Neufeld.
Regie: John McTiernan.
Buch: Larry Ferguson, Donald Stewart.
Vorlage: Tom Clancy (Roman).
Kamera: Jan de Bont.
Musik: Basil Poledouris.
Schnitt: Dennis Virkler, John Wright
Darsteller: Sean Connery (Kapitän Marko Ramius), Alec Baldwin (Jack Ryan), Scott
Glenn (Captain Bart Mancuso), James Earl Jones (Admiral James Greer), Sam Neill
(Kapitän Wassili Borodin), Joss Ackland (Andrej Lysenko), Richard Jordan
(Jeffrey Pelt), Peter Firth (Iwan Putin), Tim Curry (Dr. Jewgeni Petrow),
Courtney B. Vance (Seaman Jones), Stellan Skarsgård (Capt. Viktor Tupolew),
Jeffrey Jones (Skip Tyler), Timothy Carhart (Bill Steiner), Larry Ferguson
(Bootschef), Fred Dalton Thompson (Admiral Painter), Daniel Davis (Capt.
Davenport), Ned Vaughn (Seaman Beaumont)
Ein russischer Kommandant steuert sein mit Geheimtechnik ausgestattetes
Atom-U-Boot im Alleingang auf die amerikanische Ostküste zu. Beide Nationen sind
über seine Beweggründe im unklaren und versuchen, das abtrünnige Schiff im
Niemandsland zu orten. Technisch aufwendig und eindrucksvoll inszenierter Film,
dessen Kalte-Kriegs-Geschichte angesichts einer differenzierteren politischen
Landschaft recht antiquiert erscheint. (Quelle: Film-Dienst)
Academy Awards, USA 1991
Oscar Best Effects, Sound Effects Editing
Academy Awards, USA 1991 Nominated
Oscar Best Sound
Best Film Editing
•
70mm Blow Up
List 1990 - by in70mm.com
|
|
Dinner/Imbiß - Break. Gemeinsames Essen / Buffett |
Since the dawn of cinema the standard film size has been 35mm film, but for
certain films, the larger 65mm negative was used in the camera to ensure the
best possible image quality. The benefit was a clearer and sharper screen
image compared to "inferior" 35mm films. The "big" films
often premiered in the largest cinemas, featuring huge screens that
were often deeply curved - compared to contemporary flat screens.
The curvature of the screen had an enveloping effect on the
audience which gave them a feeling of participation in the
action on the screen.
|
|
20:00
- 23:07 "The Hateful Eight"
Original title: The Hateful Eight / USA 2015. Filmed in
Ultra
Panavision 70, 2;79:1. Presented in 70mm (2,79:1) / 6
track DATASAT stereo. English version / 187 minutes / Original premiere
print, with 3 min 48 sec overture, including 12 min
intermission. World premiere: 25.12.2015. German premiere:
28.01.2016.
Produktion: Richard N. Gladstein, Shannon McIntosh, Stacey Sher.
Regie: Quentin Tarantino.
Buch: Quentin Tarantino.
Kamera: Robert Richardson.
Musik: Ennio Morricone.
Schnitt: Fred Raskin
Darsteller: Samuel L. Jackson (Major Marquis Warren), Kurt Russell (John Ruth),
Jennifer Jason Leigh (Daisy Domergue), Walton Goggins (Sheriff Chris Mannix),
Tim Roth (Oswaldo Mobray), Demian Bichir (Bob), Michael Madsen (Joe Gage), Bruce
Dern (General Sandy Smithers), Channing Tatum (Jody), Zoë Bell (Six-Horse Judy),
Dana Gourrier (Minny), James Parks (O.B. Jackson), Lee Horsley (Ed), Gene Jones
(Sweet Dave)
Ein Kopfgeldjäger und seine Gefangene landen mit der Postkutsche in einem
verschneiten Städtchen in Wyoming, wo sie ein Schneesturm in eine Hütte zwingt,
in der sechs undurchsichtige Gestalten sie in ein Wortgefecht verstricken, das
auf eine gewaltsame Eruption zusteuert. Was als (Schnee-)Western beginnt,
erinnert in der kunstvollen Mischung aus Klaustrophobie, Paranoia und
gegenseitigen Verdächtigungen immer mehr an eine Agatha-Christie-Verfilmung. Die
Inszenierung betont durch ihr extremes Breitwandformat die bedrängende Enge, die
detailreichen Bilder zeigen jede Pore, die Darsteller haben sichtlich Freude an
ihren überzeichneten Rollen. Trotz solch formaler Originalität haftet dem Film
aber ein ernüchternder Beigeschmack an: Noch bombastischer lässt sich ein
Kammerspiel kaum noch aufblasen. (Quelle: Film-Dienst)
Academy Awards, USA 2016
Best Achievement in Music Written for Motion Pictures,
Original Score
Academy Awards Nominated
Best Performance by an Actress in a Supporting
Role
Best Achievement in Cinematography
•
"The Hateful Eight" Production Notes
•
Quentin Tarantino's "The Hateful Eight" in Ultra
Panavision 70
•
Motion pictures photographed in MGM Camera 65 / Ultra
Panavision 70
PDF:
• The
Hateful Eight continuity
• The
Hateful Eight roadshow instructions
|
|
|
|
|
Sunday, 2. October 2016
|
|
09.00 - 10.00 Full 70mm Breakfast |
Full
weekend Schauburg 70mm Breakfast for festival pass holders
in Schauburg Cinerama Lounge on the 1st. floor.
Schauburg Kino's famous breakfast menu. Enjoy hot and cold with
bread, pretzels fresh fruit. Hot sausages, scrambled eggs and
bacon. Butter, honey and jam. Salami, smoked salmon, ham and
apples served with juice, milk, coffe and the (green & black) and
something for the sweet tooth too!
|
|
"Across the Atlantic for 7OMM". Sunday Lecture @ 10:00 |
A
travelogue from Europe to Hollywood and back again. Join
the adventure of the "7OMM Promotion Tour, 1994". A look inside
film production and exhibition in San Francisco and Los
Angeles, when things were still
on film. Presented in blazing PowerPoint as an old fashioned slide show
with comments. See the offices of Dolby Laboratories, Panavision, Todd-AO,
laboratories, cinemas and much
more with stills, rarely presented in public before.
A 40 minute lecture bookended by a short large
format demonstration film presented at 30 frames pr. second. Presented
by Thomas Hauerslev, in70mm.com
|
|
11.00
- 12:43 "Dick Tracy"
Original title: Dick Tracy / USA 1990. Filmed in
spherical 1,85:1. Presented in 70mm (1,85:1) / 6 track Dolby
Stereo. German version / 103 minutes / Original premiere print.
World Premiere: 14.06.1990.
German premiere: 27.09.1990.
Produktion: Warren Beatty.
Regie: Warren Beatty.
Buch: Jim Cash, Jack Epps jr.
Vorlage: Chester Gould (Comic-Strip-Charaktere).
Kamera: Vittorio Storaro, Bill Neil.
Musik: Danny Elfman.
Schnitt: Richard Marks
Darsteller: Warren Beatty (Dick Tracy), Madonna (Heiserchen Mahoney), Charlie
Korsmo (Der Junge), Glenne Headly (Tess Trueheart), Al Pacino (Big Boy Caprice),
Dustin Hoffman (Murmler), James Keane (Pat Patton), Seymour Cassel (Sam
Catchem), Michael J. Pollard (Bug Bailey), Charles Durning (Chief Brandon), Dick
van Dyke (John Fletcher), Frank Campanella (Richter Harper), William Forsythe
(Flattop), Ed O'Ross (Itchy), James Tolkan (Numbers), Mandy Patinkin (88
Schlüssel), R.G. Armstrong (Pflaumengesicht), Henry Silva (Influence), Paul
Sorvino (Lips Manlis), James Caan (Spaldoni), Catherine O'Hara (Texie Garcia),
Robert Beecher (Ribs Mocca), Kathy Bates (Mrs. Green), Bert Remsen (Bartender),
Estelle Parsons (Mrs. Trueheart), Ian Wolfe (Fälscher), Mary Woronov
(Wohlfahrtsvertreterin), Henry Jones (Nachtportier), Mike Mazurki (Alter Mann im
Hotel)
Der Polizeidetektiv Dick Tracy zwischen Gangstern, verführerischem Vamp,
verständnisvoller Freundin und einem tapferen kleinen Jungen, den er aus den
Slums befreit. Der dem 50 Jahren alten Comic-Cartoon von Chester Gould
nachgestaltete Film entwirft für seinen Helden eine Kinowelt, die ihre
Anregungen ebenso aus den Comic Strips wie aus den Filmen der 30er und 40er
Jahre bezieht. Fantasievoll und unterhaltsam inszeniert, raffiniert durch
Kunstgriffe und Prinzipien, nach denen die Themenkomplexe des Films - Kampf
gegen den Mob, Versuchung durch den Vamp, romantische Bindungen - organisiert
werden. Für die verschiedenen Emotionsebenen werden visuelle Formeln (etwa in
der Verwendung von Primärfarben) entwickelt, wobei diese filmische Struktur eine
immer engere Verbindung mit der Kreation der Comic-Welt eingeht; dabei wird die
Gewalttätigkeit des Genres ins Spielerische aufgelöst. (Quelle: Film-Dienst)
Academy Awards, USA 1991
Best Art Direction-Set Decoration
Best Makeup
Best Music, Original Song
Academy Awards Nominated
Best Actor in a Supporting Role
Best Cinematography
Best Costume Design
Best Sound
•
70mm Blow Up
List 1990 - by in70mm.com
•
PDF:
To get the maximum out of "Dick Tracy"
•
PDF:
Dick Tracy white
gloves
•
Films presented in
70mm and 35mm Cinema Digital Sound
|
|
13:00
- 16:23 "Der Stoff aus dem die Helden sind"
Original title: The Right Stuff / USA 1983. Filmed in
spherical 1,85:1. Presented in 70mm (1,85:1) / 6 track Dolby
Stereo. German version / 193 minutes / Original premiere print.
World Premiere: 21.10.1983.
German premiere: 07.09.1984.
Produktion: Irwin Winkler, Robert Chartoff.
Regie: Philip Kaufman.
Buch: Philip Kaufman.
Vorlage: Tom Wolfe (Roman "The Right Stuff").
Kamera: Caleb Deschanel.
Musik: Bill Conti.
Schnitt: Glenn Farr, Lisa Fruchtman, Stephen A. Rotter, Tom Rolf, Douglas
Stewart
Darsteller: Sam Shepard (Chuck Yeager), Scott Glenn (Alan Shepard), Ed Harris
(John Glenn), Dennis Quaid (Gordon Cooper), Fred Ward (Gus Grissom), Barbara
Hershey (Glennis Yeager), Kim Stanley (Pancho Barnes), Veronica Cartwright
(Betty Grissom), Pamela Reed (Trudy Cooper), Scott Paulin (Deke Slayton),
Charles Frank (Scott Carpenter), Lance Henriksen (Wally Schirra), Donald Moffat
(Lyndon B. Johnson), Levon Helm (Jack Ridley), Scott Wilson (Scott Crossfield),
Kathy Baker (Louise Shepard)
Die Geschichte des amerikanischen Testpiloten Chuck Yeager, der 1947 als erster
die Schallmauer durchbrach, verbunden mit der der sieben ersten Astronauten des
amerikanischen Raumfahrtprogramms von 1959 bis 1963. Ein sowohl von spöttischer
Ironie als auch von ehrlicher Bewunderung für diese "Helden der Nation"
geprägter Film, der dank der mitreißenden Darstellung der extremen Flüge bis zum
Schluß spannend bleibt. (Quelle: Film-Dienst)
Academy Awards, USA 1984
Best Sound
Best Film Editing
Best Effects, Sound Effects Editing
Best Music, Original Score
Academy Awards Nominated
Best Picture
Best Actor in a Supporting Role
Best Cinematography
Best Art Direction-Set Decoration
•
70mm Blow Up
List 1983 - by in70mm.com
|
|
|
|
Coffee
& Kuchen / Afternoon tea & coffee |
Once
again, the projector lens will light up the screen and show
unbelievably sharp 70mm images of lesser-known and rarely seen
films. Some of which only exist in this single 70mm print. Don’t
forget, some of these films would be completely forgotten a long
time ago, were it not for these rare 70mm prints. The sharpness
will still make it a pleasant experience. And as much as you may
hate in on TV, you will have fun seeing it in 70mm on the curve.
This is your opportunity to witness the grandeur and spectacle
of nearly half a dozen Road-Show films on an authentic 70mm
Cinerama cinema.
|
|
17:15 - 18:49 "The
Little Shop of Horrors"
Original title: The Little Shop of Horrors / USA
1983. Filmed in Spherical widescreen.
Presented in 70mm (1,85:1) / 6 track Dolby Stereo.
Original premiere print 94 minutes / Original premiere
print.
World Premiere: 19.12.1986.
German premiere: 14.05.1987.
Produktion: David Geffen.
Regie: Frank Oz.
Buch: Howard Ashman.
Vorlage: Charles B. Griffith (Drehbuch zu "Kleiner Laden voller Schrecken" von
1960).
Kamera: Robert Paynter.
Musik: Alan Menken.
Schnitt: John Jympson
Darsteller: Rick Moranis (Seymour Krelborn), Ellen Greene (Audrey), Vincent
Gardenia (Mushnik), Steve Martin (Orin Scrivello), Bill Murray (Arthur Denton),
Tichina Arnold (Crystal), Michelle Weeks (Ronette), Tisha Campbell-Martin
(Chiffon), James Belushi (Patrick Martin), John Candy (Wink Wilkinson),
Christopher Guest (Erster Kunde), Miriam Margolyes (Zahnarzthelferin)
Für den Angestellten eines Blumenladens bringt eine Pflanze, die sich von
Menschenblut ernährt, nicht nur Wohlstand, Ansehen und Liebesglück, sondern auch
Probleme, die schließlich in eine Beinahe-Katastrophe einmünden. Musical-Fassung
einer Gruselfilmparodie; recht schwungvoll inszeniert, aber am Ende hin zu sehr
den Spezialeffekten verpflichtet. Brauchbare Unterhaltung für Freunde des
schwarzen und lauten Humors. (Quelle: Film-Dienst)
Academy Awards Nominated:
Oscar Best Effects, Visual Effects
Best Music, Original Song
•
70mm Blow Up
List 1986 - by in70mm.com
|
|
Dinner/Imbiß - Break. Gemeinsames Essen / Buffett |
Herbert Born and his staff have again done their utmost to make this weekend one of a kind. The Schauburg Cinerama is one of the last cinemas still equipped with 70mm projectors, a red curtain and a huge curved screen. An authentic cinema experience and LARGE FORMAT EVENT, uniquely Schauburg, to be shared with many friends from all over Europe.
…and now, "Gong", start projector, cue curtain, dim the lights,
open dowser, focus, check sound.....the show is
running.........another unforgettable weekend at the Schauburg!
|
|
20:30
- 22:24 "Lethal Weapon 2"
Original title: Lethal Weapon 2 / USA 1989. Filmed in
Panavision 2,39:1. Presented in 70mm (2,21:1) / 6 track Dolby
Stereo. 114 minutes / Original premiere print.
World Premiere: 07.07.1989.
German premiere: 27.09.1990.
Produktion: Richard Donner, Joel Silver.
Regie: Richard Donner.
Buch: Jeffrey Boam, Shane Black, Warren Murphy.
Kamera: Stephen Goldblatt.
Musik: Michael Kamen, Eric Clapton, David Sandborn.
Schnitt: Stuart Baird
Darsteller: Mel Gibson (Martin Riggs), Danny Glover (Roger Murtaugh), Joe Pesci
(Leo Getz), Joss Ackland (Arjen Rudd), Patsy Kensit (Rika van den Haas)
Zwei Polizisten in Los Angeles, die einen Kronzeugen der Staatsanwaltschaft
schützen sollen, geraten in den Kampf gegen südafrikanische Rauschgiftschmuggler
aus höchsten diplomatischen Kreisen. Überraschend unterhaltsame Fortsetzung des
harten Kriminalfilms "Zwei stahlharte Profis" (1986). Die dünne Handlung wird
ebenso absichts- wie wirkungsvoll aufgeputscht durch betont übertriebene
Stereotype des Genres, viel Action, fabelhafte Spezialeffekte und eine gute
Portion Ironie. (Quelle: Film-Dienst)
Academy Awards Nominated
Oscar Best Effects, Sound Effects Editing
•
70mm Blow Up
List 1989 - by in70mm.com
|
|
|
|
|
|
2016 Credits. The organisers wish to thank
the following individuals for their help
| |
The
Todd-AO 70mm Festival is generously supported by the Georg Fricker
Stiftung
-
Vincent Koch, Projection, Preparation prints
- Marcus Vetter, Projection
- Tina Anderson
- Hoepfner Privat Brau, DE
- Der Kurier, DE
- TNT, DE
- Cinerama Inc
- Dave Strohmair & John Sittig
- Warner Brothers London / Richard
Hundorf
- Warner Brothers Germany / Ninette
Christensen
- Cordula Lau
- Paul Rayton
|
• Go to
How Georg Fricker became
the owner and operator of the last of Karlsruhe’s “picture palaces”.
•
Wie Georg Fricker
übernahm Karlsruhes letzten Kinopalast
|
|
|
Go: back - top - back issues - news index Updated
28-07-24 |
|
|