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“Let’s Spend the Night Together”: The 70mm Engagements |
Read more at in70mm.com The 70mm Newsletter |
| Compiled by: Michael Coate | Date: 25.07.2017 |
 The
following is a reference / historical listing of the 70-millimeter
presentations of “Let’s Spend the Night Together” in North America. The
film’s 70mm prints consisted of pillarboxed imagery (approximately 1.85:1)
blown up from spherical 35mm photography. The audio was six-track stereo
(not Dolby-encoded).“Let’s Spend the Night Together” (aka “Time is on our Side”) was among thirteen confirmed first-run films released in 1983 with 70mm prints for selected engagements. The Embassy release — directed by Hal Ashby and featuring the Rolling Stones in concert — opened February 11th. The duration of the engagements, measured in weeks played, has been included for some entries in parenthesis following the cinema name. Note that some of the presentations included in this listing were presented in 35mm during the latter weeks of engagement due to print damage and the distributor’s unwillingness to supply a 70mm replacement print or because the booking was moved to a smaller, 35mm-only auditorium within a multiplex. As well, the reverse may have been true in some cases whereas a booking began with a 35mm print because the lab was unable to complete the 70mm print order in time for an opening-day delivery or the exhibitor negotiated a mid-run switch to 70mm. In these cases, the 35mm portion of the engagement has been included in the duration figure. CALIFORNIA Costa Mesa — Edwards’ Town Center 4-plex (2) Lakewood — Pacific’s Lakewood Center 4-plex (2) Los Angeles (Hollywood) — SRO’s Paramount (2) Los Angeles (Westwood Village) — Mann’s Village (1) Los Angeles (Woodland Hills) — UA’s Warner Center 6-plex (3) Orange — Syufy’s City Center Twin (1) Sacramento — Syufy’s Century 6-plex (2) San Diego — UA’s Glasshouse 6-plex (2) San Francisco — Blumenfeld’s Royal (3) San Jose — Syufy’s Century 21 (3) Torrance — UA’s Del Amo 6-plex (3) DISTRICT OF COLUMBIA Washington — Circle’s MacArthur Triplex (2) FLORIDA Miami — Wometco’s Dadeland Triplex (3) North Miami Beach — Wometco’s 163rd Street Triplex (3) Winter Park — Wometco’s Winter Park Triplex (3) GEORGIA Atlanta — Lefont’s Tara Twin (4) ILLINOIS Calumet City — Plitt’s River Oaks 6-plex (2) Forest Park — Essaness’ Forest Park Triplex (2) Tinley Park — Essaness’ Bremen Triplex (2) INDIANA Indianapolis — Y&W’s Eastwood (2) MASSACHUSETS Boston — Sack’s Cinema 57 Twin (3) NEW JERSEY Paramus — RKO Century’s Route 17 Twin (3) NEW YORK Greece — Jo-Mor’s Stoneridge Plaza Twin (3) Levittown — Loews’ Nassau 4-plex New York (Brooklyn) — RKO Century’s Kingsway 4-plex New York (Manhattan) — Loews’ Astor Plaza (6) New York (Manhattan) — Loews’ Orpheum Twin Valley Stream — Redstone’s Sunrise 8-plex OREGON Portland — Luxury Theatres’ Fox (4) TEXAS Dallas — Loews’ Park Central 4-plex (4) UTAH South Salt Lake — Syufy’s Century 5-plex (4) SUBSEQUENT 70MM ENGAGEMENTS & SCREENINGS 1983-03-11 … Atlanta, GA — Fox [w/“Pink Floyd: The Wall”] 1983-03-11 … Bellevue, WA — SRO’s Factoria 5-plex (2) 1983-03-11 … Lynnwood, WA — SRO’s Grand Cinemas Alderwood 5-plex (2) 1983-03-11 … Toronto, ON — Odeon’s Varsity Twin (3) 1983-03-11 … Tukwila, WA — SRO’s Lewis & Clark 7-plex (2) 1983-03-25 … Winnipeg, MB — Towne 8-plex (3) 1983-04-01 … Calgary, AB — Odeon’s Southland 4-plex (1) 1983-04-01 … Toronto, ON — Odeon’s Fairlawn Twin (2) 1983-04-22 … Vancouver, BC — Odeon’s Park (1) 1983-06-10 … Ottawa, ON — National Arts Centre Opera (2 days) 1983-07-08 … National City, CA — Pacific’s Sweetwater 6-plex (1) [w/”Pink Floyd: The Wall”] 1985-05-10 … Mentor, OH — NTC’s Great Lakes Mall 5-plex (midnight) 2016-08-26 … New York, NY — Museum of the Moving Image [See it Big! fest] 2016-08-28 … New York, NY — Museum of the Moving Image [See it Big! fest] The information in this article was principally referenced from film industry trade publications and regional newspaper promotion, with thanks to Don Beelik and Bill Kretzel. Additional 70mm prints were screened internationally but have not been accounted for in this article. If you believe this article contains any errors or omissions, please consider emailing the author or editor. |
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