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ARRI 765
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All
70mm film lists
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Compiled
by: Thomas Hauerslev |
Date:
November 2002 |
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Nore in 70mm reading:
Interview With Otto
Blaschek - The Making of ARRI 765
Internet link:
(S) = Short film |
The ARRI 765 used for short segments
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|
Title |
Released |
Cinema |
Notes |
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Far and Away |
22.05.1992 |
Ziegfeld, NYC, USA |
The ARRI 765 was
used for short segments |
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Little Buddha (P) |
1993 |
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Only parts in 65mm |
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Hamlet |
22.12.1996 |
Ziegfeld, NYC, USA |
The ARRI 765 was
used for short segments |
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The International |
2008 |
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Less than 5 minutes in the final film
was photographed with ARRI 765 |
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Nanga Parbat |
2010 |
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Shutter Island |
2010 |
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Short sequences
filmed in Panavision PFX
System 65 & Arri 765
From American
Cinematographer:
In prep, the filmmakers tested various methods of further enhancing
the hyper-real look of Teddy’s visions; 65mm, anamorphic 35mm and
high-definition video were all considered as mates for the project’s
main format, Super 35mm. “The goal was to capture as much detail as
possible for the DI suite,” says Richardson. “There weren’t as many
differences among the filmouts as you might expect — the DI was the
great equalizer — but 65mm had a definitive edge. We could wrestle
with it in the digital world without the normal side effects
encountered with a smaller negative. After he saw the tests, Marty
agreed to shoot Teddy’s dream states on 65mm.” Unfortunately, after
filming one day with a Panavision PFX System 65 Studio and an Arri
765, both cameras broke down on a frigid night. “Only a few of those
shots remain,” says Richardson. (Ed. Note: These can be seen in a
dream sequence that shows Teddy in Dachau in civilian clothes.)
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Unknown |
18.02.2011 |
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Arri 765 for some scenes, most of the film is Super 35 |
Gravity
ICG Magazine
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28.08.2013 |
Venice Film Festival |
The final scene was photographed with
ARRI 765
From American
Cinematographer:
Lubezki shot most of the live-action material in the film with Arri
Alexa Classics and wide Arri Master Prime lenses, recording in the
ArriRaw format to Codex recorders; the package was supplied by Arri
Media in London. (Panavision London provided a Primo Close Focus
lens that was used for a single shot.) He filmed a scene set on
Earth on 65mm, using an Arri 765 and Kodak Vision3 500T 5219, to
provide a visual contrast to the rest of the picture.
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Updated
21-12-18 |
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