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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

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Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 


PHOTOGRAPHED WITH THE ARRI 765
• • Go to Films photographed with the ARRI 765 65mm camera

ARRI, MUNCHEN, GERMANY

• Go to Otto Blaschek - The Making of ARRI 765

ARRI, MUNCHEN, GERMANY

• Go to A Visit to ARRI in München
Go to gallery A Visual Visit to ARRI in München

"NO TIME TO DIE"

• Go to
"No Time to Die" Filmed (in Parts) in 65mm

“MATTHIAS AND MAXIME”

• Go to
Photographed on 65mm Film

 
 
"SUNSET SONG"
Sunset Song Filming in 65mm
Director Terence Davies has begun principal photography in Scotland on "Sunset Song", a film adaptation of Lewis Grassic Gibbon’s 1932 classic novel. To capture the landscape, the filmmakers have chosen to shoot on 65mm film, a creative decision that the producers say “will ensure depth, clarity and emotional impact on the screen”.

“NANGA PARBAT”
A film on historic scaling of Nanga Parbat
By
Rizwan Ehsan Ali
Renowned mountaineer Reinhold Messner has teamed up with precisionist director and producer Joseph Vilsmaier to shoot a film on Nanga Parbat yet to be named.

“AS GOOD AS IT GETS”

• Go to “As Good as it Gets”
"As Good As It Gets" Introductory Notes
"As Good as it Gets" - Afterthoughts

“FAR AND AWAY”
How "Far and Away" became 65mm
By Mikael Salomon
"Far and Away" began as a small film which Ron and I talked about making, while shooting
"Backdraft"

“TOUR EIFFEL”
On Location in Paris with ARRI 765
By Veit Helmer
The 765 looks and runs like any 35mm camera. Even the exterior of the 765 is hardly different from a 35mm camera.

“BMW 850i”
Making of BMW 850i
By
Volker J. Müller
Director/cameraman Siegfried Steiner proposed to BMW to shoot the exhibition film in the 70mm-format. The advantages were quite obvious: More light-output, a sharper image, larger screen, etc. The automobile manufacturer agreed enthusiastically.

ALSO WITH THE ARRI 765
"The Witness" in Super Panavision 70
 
"100%" in 70mm
 
The Filming of "The Testament of One Fold and One Shepherd"
 
Super Panavision 70 On an Indian Reservation


• Go to Arriflex's ARRI 765 Camera System
 
 
GOLD FOR THE ARRI 765

ALEXA 65
ALEXA 65 - The splendor of 70mm is reborn
By Jacques Morell
We were waiting for the new Panavision digital 65mm camera developed with NASA engineers. The information has been published in January with a picture of the prototype. And no more news 9 months later… The breaking news is coming from Germany! ARRI is the leader of digital 35mm cameras all over the world with its complete range of ALEXA cameras.
ALEXA 65 - le 70 mm redevient le format d’excellence au cinema
Jacques Morell
On attendait la sortie imminente de la nouvelle caméra Panavision numérique 65mm développée avec le concours de la NASA. L’information est parue en début d’année avec une photo d’une version prototype. Et depuis plus rien. Surprise! La bonne nouvelle est venue d’Allemagne. ARRI, dont les différentes versions de caméras numériques de la gamme ALEXA sont la référence depuis des années sur les plateaux de tournages en Europe et dans le monde entier, sera non seulement la marque leader du cinéma 35mm numérique

• Go to
"Roma" by Alfonso Cuarón. Production Notes

• Go to
Destination Film: Roma in 70mm
 

Online: 02-06-1999. Updated: 12-06-2021