“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

PRESENTED IN 70MM
Super Technirama 70
MCS 70 | DEFA 70
Dimension 150
Sovscope 70
ARRI 765 | Blow-up
35mm to 70mm
Blow-Up by title
IMAX | Cinema 180
Showscan |
iWERKS
Various 70mm Films
Large Format Engagement
Chronological Order

VISION, SCOPE & RAMA
Cinerama | Film
Archive | Remaster
Cinemiracle | Rama
Cinerama 360
Kinopanorama
Circle Vision 360
Realife | Grandeur
Natural Vision
Vitascope | Magnifilm
Early Large Format Films

7OMM CINEMAS

France | Germany
Denmark | England
Australia | USA

LIBRARY
SENSURROUND
6-Track Dolby Stereo
CDS | DTS/DATASAT
7OMM Projectors
People | Eulogy
65mm/70mm Workshop

7OMM NEWS
2022 | 2021 | 2020
2019 | 2018 | 2017
2016 | 2015 | 2014
2013 | 2012 | 2011
2010 | 2009 | 2008
2007 | 2006 | 2005
2004 | 2003 | 2002

7OMM NEWSLETTER
2005 | 2004 | 2002
2001 | 2000 | 1999
1998 | 1997 | 1996
1995 | 1994 | PDF
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

FotoKem Restores "South Pacific"
“Bigfoot” Scanner Restores 65mm Classic to Better Than Original Condition with 14 Minutes of Lost Footage

Read more at
in70mm.com
The 70mm Newsletter
Written by: Press Release Date: 5. March 2006
Rossano Brazzi and Mitzi Gaynor in "South Pacific" in Todd-AO. One of the original 1958 slides, used in Denmark for the films 4 year run. Editors collection

LOS ANGELES, CA (January 26, 2006) — FotoKem used its Imagica “Bigfoot” scanner to digitally recapture the faded glory of “South Pacific,” the 1958 65mm Todd AO classic. 20th Century Fox tapped FotoKem’s Large Format Group for the photochemical preservation and video mastering on the project, taking advantage of the facility’s 65mm scanner and its high speed 4K transfer capabilities.

“FotoKem produced an image that looks significantly better than what we could have achieved with a 65mm high-definition telecine,” said Schawn Belston, Vice President, Film Preservation and Asset Management, 20th Century Fox. “The optics of an HD telecine simply can’t capture the quality that’s built into the original film elements.”

FotoKem received the AB original negatives along with the YCM separation masters – B&W prints representing the yellow, cyan and magenta color separations. “We created a new interpositive from the original negative,” explained Andrew Oran, Vice President of Sales & Operations, Large Format, for FotoKem. “Of the 23 reels, one was entirely faded. For that reel as well as several other shots in the show with extensive physical damage, or represented only by poor quality dupes, we recombined the YCM separation masters prior to producing the new interpositive.”

FotoKem’s 40 years of experience in photochemical processing was a key factor in the success of the restoration of “South Pacific.” According to Belston, the creation of a new 65mm wetgate interpositive “will serve as a viable preservation element as the original negative continues to fade.”
 
More in 70mm reading:

Restoring 70mm Movie Musical Oklahoma! for a New DCP — at 30fps

"South Pacific" 1958 release dates

Todd-AO

CinemaScope 55

PDF

Internet link:

www.fotokem.com

Press Contact:
Tony Schmitz
Flashpoint Media
(818) 985-4516
atschmitz@adelphia.net

A sample of a Danish 70mm print of "South Pacific" dating back to 1958. Note how red it is.

FotoKem then scanned the new interpositive, over 227,000 frames, at 4K on the Imagica scanner. “We used a program called Shake to rescale the 4K files to HD,” said Oran. “By over sampling in 4K, we create HD files that look better than if they had originated in HD.”

FotoKem then used MTI Film’s CORRECT DRS to minimize flicker, stabilize and dust bust all the files. “There was a lot of built-in flicker in the original negative which was processed back in 1958 during the early days of 65mm production,” said Oran. “We also removed some minor imperfections, like splice lines and hairs in the gate that would have been what people saw in the original theatrical release.”

Speaking of original, 20th Century Fox discovered a print dating back to 1958 in a film archive in England that was the original “roadshow” version of the film distributed to theaters. This original version has 14 minutes of additional footage, containing about 60 subtle differences, that was later edited for aesthetic or political reasons. Working from the near 50-year-old print, FotoKem used a technique called “pre-flashing” to reduce the contrast in the replacement negative they produced from the print, before scanning this new negative at 4K on the Imagica scanner.

FotoKem assembled the 227,000 files in a color correction suite where colorist Tom Sartori completed the final color pass on a da Vinci.

“The picture looks gorgeous,” concluded Belston, “and was made possible by the combination of photochemical and digital tools available at FotoKem.”

The restored “South Pacific” will screen at The Entertainment Technology Center at USC’s Digital Cinema Laboratory on Monday, January 30, 2006 at 7:00 PM at the Lab’s historic Pacific Theater location – 6433 Hollywood Blvd. The screening will be followed by a Q&A with a panel including Schawn Belston, VP, Film Preservation and Asset Management, 20th Century Fox; and from FotoKem, Paul Chapman, VP of Technology; and Andrew Oran, VP of Sales & Operations, Large Format.
 
 

About FotoKem

 
FotoKem is a premier independently owned film & video postproduction facility based in Burbank, CA. Established in 1963, FotoKem is a unique full service facility that embraces the entire sequence of motion picture and television postproduction by combining full-scale laboratory services with advanced digital finishing. See www.fotokem.com for additional information.
 
 
   
Go: back - top - back issues - news index
Updated 30-06-22