Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language auf Deutsch


Todd-AO Festival
KRRR! 7OMM Seminar
Oslo 7OMM Festival

Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

Ultra Panavision 70
Super Panavision 70

MCS 70 | DEFA 70
Dimension 150
Sovscope 70
70mm Blow-up
IMAX | Showscan

" 80 Days"
"Flying Clipper"
"The Hateful Eight"
"The Master"
"Scent of Mystery"


France | Germany
Denmark | England
Australia | USA

Interview & People
Always Remember
Presented in 7OMM
Bradford | Projectors
70mm Dolby Stereo
Cinerama Remaster
Rama Galore

• 2022 | 2021 | 2020
2019 | 2018 | 2017
2016 | 2015 | 2014
2013 | 2012 | 2011
2010 | 2009 | 2008
2007 | 2006 | 2005
2004 | 2003 | 2002

2005 | 2004 | 2002
2001 | 2000 | 1999
1998 | 1997 | 1996
1995 | 1994 | PDF Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen., a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Table of Content

Extracts and longer parts of may be reprinted with the written permission from the editor.
Copyright 1800 - 2070. All rights reserved.

Visit about Danish cinemas


Advantages and disadvantages of 70mm

This article first appeared in 70mm
The 70mm Newsletter

Written by: Freddie A. Young Issue 37 - June 1995
Thank you for your letter dated 8th December, 1994. Thank you for the copy of The 70mm Newsletter. You asked me if I could write a short article for this. I am happy to do so, but I must state that since I am now 92 years of age and haven't worked for about 5 years - and then only on commercials - I am not up to date with all the developments in the Film Industry, However, I will now write a few words about my thoughts on using 70mm film.

70mm film like anything has i
ts advantages and disadvantages. It is particularly appropriate for those films that are set in locations of outstanding natural beauty. For example, it was certainly the right film for shooting "Lawrence of Arabia", where capturing the magnificence of the desert was so important - but had we been shooting interiors in a back street in Clapham, then I'm not so sure that it would have been worth it! Its main drawbacks are the added expense that it puts onto a film's budget, and also the time and additional work that it adds through its need for specialized equipment such as stronger dollies, cranes, tripods and so on. Another problem is that not many cinemas have the necessary facilities for showing 70mm. I do think that 35mm film has proved itself to be an excellent alternative to 70mm, since although it obviously can't match the latter's superior quality, it has none of its disadvantages, and in my opinion, there are only a limited number of films that would justify the extra cost and trouble of being shot in 70mm. After all, 35mm has stood the test of time. Mind you, I still think that there's room for 70mm for those special feature films that really do benefit from being shown on 60 foot screens in a limited number of cinemas in big cities all over the world.

Sincerely, Freddie A. Young

Further in 70mm reading:

There Were Giants in the Land

Restoration of "Lawrence of Arabia"

Some Notes on Shooting "Lawrence of Arabia"

Internet link:


Go: back - top - back issues
Updated 07-01-21