“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

The Final Curtain For The Cinedome

Read more at
in70mm.com
The 70mm Newsletter
Written by: Bill Kallay  
One of the domes which featured 863 seats. Picture by Bill Kallay.

The inevitable coming of bulldozers happened this April when the Orange Cinedome [Los Angeles, USA] was demolished. The once grand theater, which opened in 1969, was a victim of the current craze of megaplexes across America. Time was kind to the theater, until its owner, Century Theaters, closed it in favor of an elaborate behemoth down the road called the Century 25 Stadium Theaters. Going to the movies will not be the same in Orange County, California.
Further in 70mm reading:

70mm Movie Theatres in Southern California

70mm films in Los Angeles

Internet link:

Pictures have been copied here with permission

Part of the Cinedome complex and box office, one week after closure. Picture by Bill Kallay.

The theater was unique in that its two main auditoriums were large domes, featuring 863 seats each and large curved screens. Over the course of thirty years, it was not uncommon to see 70mm films shown in them. What is somewhat humorous is that those theaters also had stadium seating from opening day until its closure in early 1999. Isn't the craze now called "stadium seating?"
 
A view from the former lobby. Picture by Bill Kallay.

The theater expanded on a periodic basis over the years, eventually going from 2 theaters to eleven by 1992. The complex itself was consistently renovated and upgraded. In the early 1970s, the large domes featured early 70mm films such as "Camelot" and an exclusive Quintaphonic Sound presentation of "Tommy" in 1975. By the late '70s, Cinedome featured 70mm Six Track Dolby Stereo and Dolby Stereo in most of its auditoriums. During the 1980s, Cinedome was the theater to see films presented in 70mm. On certain summer periods, the theater would run four 70mm prints of different movies at the same time. The two large domes, a 500-plus seat standard auditorium and a smaller dome were large gauge equipped.
 
The small dome, left, after the buldozer. Picture by Bill Kallay.

More than likely if a film had a 70mm print available, the Cinedome acquired it. During the initial re-lease of "Return of the Jedi", two 70mm prints were run. The domes were very popular with filmgoers, well before the stadium seat craze took over the nation. Patrons enjoyed the unhampered sightlines and the curved screens. The layout of the domes, much like a curved amphitheater, was spacious and luxurious. Plush curtains and entry music greeted movie goers, at least until slide shows took over the pre-movie screen. Though the Cindedome wasn't perfect, it was a theater one remembered even if the film was bad. The floors in the domes were hollow, so walking on them was like walking on a wooden box. Going to the bathrooms was always an interesting experience.

Few theaters I've encountered allowed me to do my business and still hear the loud movie soundtrack in the dome above me. And Cinedome prided itself on pre-popped popcorn.

But Cinedome was a modern movie palace. Sitting in the domes, one was always comfortable due the rocking chairs the theater had. The dome's ceiling seemed like it went on into infinity. And the presentation Cinedome was a treat. Even on 35mm stereo releases, the theater would always rock. But it was on 70mm presentation that Cinedome was legend. In "Raiders of the Lost Ark", the boulder rumbled over your head. In "Ghostbusters", Slimer floated through your chest and back into the large surround speaker behind you. In "True Lies", you felt the bullet casings falling on the bathroom floor in Arnold's in-famous fight.
 
Interior of one of the large domes, minus screen. Picture by Bill Kallay.

The theater was very profitable and consistently busy, even during the week. Why Century chose to shutter the theater rather than expand it baffles fans of the theater (there are many), but perhaps made sense for the company. There was room on the property to expand and build a parking structure (parking was never a strong suit at Cinedome). They instead chose to build a 25-screen complex on the site of an old drive-in. Add to that restaurants and shops next to it, Century made both a jump into 21st century megaplexing and added profits. The new theater is popular, but lacks the features of Cinedome. Most of the theaters are small and the screens are fitted for 1.85:1 aspect ratios. There are constant sellouts, despite popular films being shown on multiple screens. Cinedome didn't have that problem most of the time.

As the bulldozers tore out the projection booths, the domes became nothing more than covered amphitheaters. The screens were indiscriminately ripped to shreds. The speaker stands that once held the huge speakers became jagged towers of steel. The fairly new plush red seats were covered with dust and roofing tiles. Orange County is a place where any building over thirty years old is demolished. Cinedome fell right in line with that tradition. It's reminiscent of the film "Logan's Run" where no one was supposed to live over the age of 30.
 
The marquee during the summer of 1987. Picture by Bill Kallay.

When the theater closed, some patrons came to the theater in disbelief that it was closed. Others quipped that it was rundown and in a bad location. That wasn't true. It was in good shape, equipped with Dolby Digital, DTS and SDDS sound. The location was perfect, for it sat between two freeways. In fact, Interstate 5 allowed patrons to exit right at the entrance to the Cinedome parking lot.

Time hasn't been kind to 70mm or the theaters it played in. All over Southern California, theaters equipped for 70mm have been closed in favor of megaplexes. This has occurred in rapid succession in less than five years. Exhibition chains favor catering to the masses, which is fine. But they've also created an atmosphere where there is a sameness to going to the movies. Cinedome and theaters like it were always one step above the norm.
 
Though in agreement, the author did not write this. Picture by Bill Kallay.

The Cinedome will be missed by movie fans, especially 70mm fans. The feeling is akin to being a baseball fan who attends a classic ballpark, only to see if torn down in favor of a modern stadium. Fortunately, there are Cinedomes located in Northern California. But then again, maybe they'll meet the same fate as the Orange Cinedome.

The Cinedome had the distinction of first class presentation, great picture and the latest sound systems available.
 
 
Go: back - top - back issues - news index
Updated 21-01-24