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VISION, SCOPE & RAMA
1926
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2001
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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
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in70mm.com, a unique internet based magazine, with articles about 70mm
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Visit biografmuseet.dk about Danish cinemas
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70mm Presentations - Letters from Directors |
Read more at in70mm.com The 70mm Newsletter
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Written by: Paul Rayton, Hollywood, USA |
Date:
07.02.2015 |
Back in the heydays of 70mm exhibition of
movies (1980s), it was not uncommon for a projectionist to open a shipping
case of a 70mm title and find a "personal" letter from someone associated
with the film. Typically it would be signed by the Director, or the Producer
-- those with the greatest stake in the outcome of "their" film.
Subjects addressed would be things like the illumination level on screen,
and the audio playback level. Apparently (from what I could infer) many
cinemas typically ran sound a bit too low. These messages were typically
reminding us projectionists to run the sound at the "Dolby Standard" of a
fader setting of "7" (on a scale of 10.)
The Abyss
Backdraft
Born_4th_of_July
Dick Tracy
Dick Tracy (white gloves)
Havana
Indiana Jones and the Last
Crusade
Top Gun
Tucker
The Untouchables
The Untouchables (TAP)
If a theatre's sound system was properly set up, a setting of 7 would be
(probably) OK, though there were occasional producers / directors who would
attempt to get theaters to play things somewhat on the extra loud side.
The concept of messages to projectionists is not new -- way back in
1940, there was a 4-page letter to "Exhibitors Everywhere" from no less than
the producer, David O. Selznick: "Concerning the Presentation of 'Gone
With the Wind'". This set of instructions provided very specific
directions on the timing of the operations of the house lights and the
curtains, in order to make the opening, and the intermissions, all to
attempt to achieve a bit of presentation consistency. This was done to
enhance the entire presentation -- and the drama of the movie itself. You
can view that historic one
here.
The Untouchables
The Untouchables (TAP)
Projection, sound and curtain cue
sheets for "Exodus"
Technical Information bulletin for
"West Side Story"
This page presents a group of some of these more recent messages to
projectionists. The presumption is that they were really signed by the named
individuals, but it's likely that the actual text was probably prepared by
someone in their post-production process, someone who might have been
overseeing the dubbing, mixing, and (presumably) checking the "sounding"
[recording] of the magnetic sound on the prints. I know from a personal
acquaintance that Paramount, for example, went through a complete screening
on the lot of every 70mm print of such titles as "Raiders Of the Lost
Ark" (1981), "Indiana Jones and the Temple of Doom" (1984),
"Top Gun" (1986), "The Untouchables" (1987), etc. This was to
ensure that good-quality prints were sent out. Such attention to detail is
(was) well-known back then, though recent years have not been so blessed.
As my own personal sidelight, back in 1991, while I was still working at the
prestigious Avco Center cinemas in west L.A., we were preparing to open
"Thelma & Louise". On the Friday that that film was to open, I was
called in rather early in order to check the print and the sound with the
director, Ridley Scott. I ran some reels, we agreed upon his preferred sound
level setting, and he was ready to go. I asked him, "You know, could you
please write me a note confirming that this is the sound level you'd like
for this movie? Then I can show it to anyone who wants to complain about it,
later on." So he did. I hand-wrote a little note, "to whom it may concern",
saying this was, in fact, the proper sound level that he wanted for the
movie. He signed it -- but no one ever complained, so I never had to show
it.
Since Directors can't make it to every screening everywhere, the
note-in-the-can is the next best thing to being there.
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More in 70mm reading:
Projection, sound and curtain cue
sheets for "Exodus"
Technical Information bulletin for
"West Side Story"
in70mm.com's list of films
blown up to 70mm
Presented in 70mm
Dolby Stereo
Who is Paul Rayton?
Paul Rayton Remembers "Scent of
Mystery" in 3 minutes and 49 seconds
Life With THX In Hollywood Part 1
Life With THX In
Hollywood Part 2
WSW Academy
Internet link:
filmdetail.com
aphelis.net
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Go: back - top - back issues - news index Updated
21-01-24 |
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