“Almost like a real web site”

Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch


Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

Ultra Panavision 70
Super Panavision 70

1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order


Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey

7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Table of Content

Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas


Cinemas of Copenhagen

The 70mm Newsletter
Written and photographed by: Thomas Hauerslev. This article was first published in Cinema Technology, March 2001. Reprinted with permission from Jim Slater. Date: March 2001

In this article, editor and publisher of "in 70mm - The 70mm Newsletter" takes you on a tour through the cinemas of Copenhagen and attempts to discuss history, quality, equipment, and statistics. This article appeared in Cinema Technology, March 2001. Here it is again for the first time on the internet with lots of added extras details and pictures. 

Thomas Hauerslev (Age 37) is married to Charlotte and they have two kids, Maria and August. Thomas is an ex-projectionist and now works full time at the European Environment Agency in central Copenhagen. In his spare time he enjoys studying, among many other things, the fascinating history of the cinemas of Copenhagen.

More in 70mm reading:

70mm Cinemas and Film in Denmark

PDF: Cinemas of Copenhagen

Update of Cinemas of Copenhagen - An in depth look at all the screens

Three Great Danish 70mm Cinemas

Internet link:


Cinema Technology, March 2001

As of January 1st 2001, there were 11037 seats, 58 screens at 13 cinemas (5 single screens) located within a radius of 1 km (0,625 miles) from the Central Station. Most of the cinemas are multiplex screens. CinemaxX (10 screens), Dagmar (5), Grand Teatret (6), Scala (7), Palads (17) and Palladium (3). This concentration is quite different from 30 years ago when there were no multi screen cinemas. Before 1970 the cinemas were scattered all over Copenhagen. Today only very few are outside the 1 km radius. Those outside are the Bio in Vanløse, Park in Østerbro, the Drive-in open only during summer and from January 5th, the Empire 4-plex at Nørrebro.

The major players are: Nordisk Film Biografer A/S with Palads, Palladium and their flag ship Imperial, Sandrew/Metronome with Dagmar and Scala, CinemaxX with Fisketorvet and finally the independent Grand. Ringside players are Gloria, Husets Biograf, Vester Vov Vov and Posthus Teatret (The latter has the only rear-projection system in Denmark. A Bauer U5 is used).

Also noteworthy are 3 cinemas at the Film Museum: Asta (Nielsen), Benjamin (Christensen) and Carl (Dreyer), named after 3 Danish film pioneers. The Film Museum relocated and opened these 3 new cinemas in 1997 and shows archive prints every day except Mondays. One disappointing fact and a great shame is that they cannot show 70mm films.

Copenhagen also has an IMAX Dome cinema, the Tycho Brahe Planetarium. Since 1989, more than 30 IMAX movies have been shown on the largest screen in Denmark. The cinema has a remarkable JBL sound system and of course IMAX DDP digital sound (Introduced in 1991 with "Rolling Stones At the Max"). The latest novelty is the presentation of "3D Mania" in ColourCode 3D, a Danish invention.

On October 6, 2000 the German CinemaxX Group opened their first 10-screen complex in the center of Copenhagen. For the first time, foreign cinema operators are taking a serious bite of the audience in Copenhagen. During the 80s and 90s, foreign investors like Sandrew (Sweden), MGM/Pathé and Warner/Village also invested in existing Copenhagen cinemas.

It is clear from the table above that both Grand and Imperial Bio have lost a considerable share of the market since CinemaxX opened in week 40. It will surely be interesting to monitor developments during the following months.
Group Screens % Screens Seats % Seats
CinemaxX 10 17,2 3118 28,3
Dagmar & Scala 12 20,7 1976 17,9
Grand Teatret 6 10,3 789 7,2
Nordisk Film A/S 21 36,2 4133 37,5
Others 9 15,5 1021 9,3
Screens 'n' seats 58 100 % 11037 100 %
Share Week Week Week
Cinema 33 41 49
CinemaxX 0 29,3 27,7
Dagmar 9,2 8,9 12,1
Gloria 0,8 0,8 0,7
Grand 9,1 8,3 5,5
Imperial 17,6 10,4 9,9
Palads 39,8 29,9 28,9
Palladium 10,5 4,1 6,1
Scala 12,9 8,4 9,1

The first Century of Cinemas

The first Danish performance of Lumiere Brother's moving pictures dates back to 1896. The moving pictures was presented at the Town Hall Sq. in Copenhagen. Another 8 years would pass, however, before the first permanent cinema "Kosmorama" opened September 17th, 1904 at Østergade 44, now "Strøget", the pedestrian street.

The Kosmorama has long since closed. Closure of cinemas is actually very common, however. Since 1904 more than 100 of Copenhagen's cinemas have closed! In fact today, only the Palads, the Dagmar, and the Grand dates back before 1960.

What happened to the closed cinemas? Well, most of them have been demolished to make room for new developments (in some cases new cinemas). During the 1970s wave of closures in greater Copenhagen area, at least 16 cinemas were converted into supermarkets, of which many can still be seen. They are: Alladin, Atlantic, Bella Bio, Bispebjerg Bio, Casino, Colosseum, DSB Kino, Fasan, Merry, Nora, Nørreport, Park, Platan, Roxy, Skovshoved Teater & Søborg Teater.

Other ex-cinemas still to be seen serving other purposes in greater Copenhagen are: Alexandra (disco), Tivoli Bio (Hard Rock Café), Carlton, Vanløse Biograftheater & Øbro Bio (churches), Bio Lyngby (Furniture store), Husum Bio (Exercise gym "Kondigrafen"), Metropol (Hennes & Mauritz), Kinopalæet (office space and demolished in december 2001), Bellevue, Mercur, Nørrebro's Biografteater, Rialto, 3 Falke Bio and World Cinema (live theatres) and finally Standard Theatret (video shop!).

So, nearly 30% of all cinemas are still there, "sleeping" like dinosaurs from an ancient time. The tale of the closed cinemas in Copenhagen must wait to be told another time.

The Sound of Copenhagen

Sound on film is not new to Copenhagen movie lovers. Axel Petersen and Arnold Poulsen are ranked as film sound pioneers as they invented one of the worlds first practical sound with film systems 80 years ago. They demonstrated their system at Palads Teatret October 12, 1923. 

The big issue today is of course what kind of sound system the cinema has. The buzz word is "digital" and most of the premiere houses have Dolby Digital installed (37 screens, 64%). Second in line is DTS (12 screens, 21%) and finally SONY's SDDS (2 screens, 3%). Four screens have installed Dolby Surround EX, but surprisingly, none of the brand new CinemaxX screens have EX.

6 screens (10%) are THX certified. They are: Imperial Bio, Scala #1#2#3, CinemaxX #1 and Palads #1 & #9. In comparison, there are 36 THX certified screens in Denmark. A single screen, Imperial Bio also carries a Kodak Screencheck certification.

The successful Dolby Stereo cinema processors have been installed in Copenhagen extensively since the first CP50 processor arrived in Palads Teatret in December 26, 1978 for "Superman". These days the CP500 is installed at 26 screens and the CP650 at 1 screen. There are two CP200s (There has never been a CP100 processor in Denmark), 11 CP65s, one CP45 and several CP50/55s still in action. In fact nearly 83% of all screens have some form of Dolby processor installed.

Until the late 1980s, the A and B chains were often outdated low-end equipment from the 70s and the sound quality was mostly rubbish, only just surpassing the quality of analogue telephone lines. I'm exaggerating of course, but sound was really terrible. Most screens lacked fidelity, clarity in the high end, deep powerful thundering bass and stereo perspective.

Only the Imperial Bio provided superior sound with a Dolby CP50, JBL speakers and SAE amplifiers. A simple, yet most impressive set up, installed for "Alien" in October 1979.

Luckily, it's a different story today. I think the real turning point came when the Scala opened in 1989 with 5 excellent screens built to THX specifications (but not actually THX "certified" at the beginning). Many theatres have since upgraded with new amplifiers and speakers. The typical speaker is either JBL or KCS. Amplifiers are typically QSC or JBL.

It still puzzles me, however, why sound quality in these newer cinemas hasn't improved tremendously with all this excellent and costly installed equipment!! An example is the Imperial Bio with THX, JBL and everything. 

I remember getting frequent goose bumps from the old JBL system, but I never get that from the new system. The system lacks transparency and fidelity. All films now seem to sound the same, and there's nothing beyond 12 kHz anymore!!! It used to be hi-fi sound, but now it's like any other "no-name" THX cinema with PA sound and exaggerated bass. The audience seems to like it, but it should play much, MUCH better with so many speakers and amplifiers. That's sad.

The Format is the Thing

57% of all screens can show at least 3 standard 35mm formats; anamorphic 2,39:1, flat 1,85:1 and/or flat 1,75:1/1,66:1. Nearly every third screen can show the Academy format of 1,37:1. 

Unlike other capitals of the world, the 70mm Dolby format was not used in Copenhagen (no thanks to distributor/exhibitor resistance of importing the more expensive 70mm prints) until the re-release of  "Lawrence of Arabia" in 1989. Only 3 cinemas can show 70mm today; Imperial Bio, Palads Teatret screen 9 and 15/70 at the IMAX Dome. The latest dramatic film to be shown in 70mm was "Titanic" in 70mm DTS during 11 record-setting weeks at the 1102 seater Imperial!

Other forms of non-standard filmed entertainment has been shown over the years. In 1959 "Windjammer" was shown in CineMiracle. 3-strip Cinerama appeared in 1962 and vanished again in 1963. Cinema 180 was shown in two places in the 70s/80s and Motion Master was shown very briefly in 1991.

Equipment Supply

Two major projector manufacturers have a strong foothold in Copenhagen. For 20 years, both Cinemeccanica (43% market share) and Kinoton (47% market share) have supplied most of projectors. There are no Century, Westar or Ballantyne projectors in Copenhagen. There are a number of other uncommon machines running. Three Bauer U4s, a single Bauer U3, a very rare U5R and a Prevost P55. A pair of Philips DP70 are still used at the Imperial Bio. In fact those pair of machines have been running 10 hours every day since November 3, 1961, an outstanding achievement. The popular Victoria 5 is used extensively at the Palads and many of them date back to the late 70s when they were first installed. The Victoria 8 is also used in several cinemas.

The Kinoton FP30 E is used throughout at CinemaxX's 10 screens. The image steadiness on the large screens is outstanding thanks to the electronic "intermittent", done with step motors. The FP30 is also installed at Dagmar, Grand and Scala.

Historically there have been many cinema equipment companies in Denmark. Dating back from the turn of century is Dansk Kinematograf [DKF] A/S located in Copenhagen. They specialize in Philips/Kinoton, Dolby, ISCO and JBL equipment. The company is managed by Mr. Jørgen Søndergaard and Mr. Lars Abel. DKF A/S, did not supply projectors, amps or processors to CinemaxX. Kinoton supplied all equipment directly to CinemaxX in Copenhagen, pre-assembled in Germany.

In Århus, 2nd largest city in Denmark, another respected company recently (1993) entered the field of cinema equipment. Mr. Asger Bak is managing AB Global A/S and he sells Cinemeccanica, Skeie seats, ISCO lenses, Dolby equipment and installs THX in Denmark. AB Global is responsible for most of Nordisk Films Biografers recent updates and new cinemas.

The Ruler of Design

Danes have a long history of cinema design. The craft blossomed and developed in the late 1950s with great cinemas, purposebuilt for CinemaScope and Todd-AO. Holger Pind, Ole Hagen and Erik Engelstoft are all names of great cinema designers. Each cinema was different from one another, unlike today when most cinemas look the same. Today, most of their works have been destroyed, in the name of progress and competition, especially in the 70s when many cinemas were either closed/demolished or re-built into a 2-plex, 3-plex or more.

The current trend is to build cinemas with "stadium" style seating and a large flat screen in front of you. This environment creates a very effective cinema, especially if the auditorium is kept in dark colors. The down side is, however, that all cinemas are built the same, so there is no real reason to prefer one theatre over another. They all become the same and the "romance" if you will, of cinema-going is gone. It's a shame.

The Scala cinemas, opened in 1989, were the first modern style cinemas just described. Before Scala, most Copenhagen cinemas dated back from the 70s with the shoe-box styled cinema, disliked by so many moviegoers. Scala was definitely a move in the right direction, but stadium seating and a wall-to-wall screen had already been introduced with the opening of 3 Falke Bio, in 1958!!! 

The recently opened CinemaxX pushes the design issue even further by introducing some VERY large screens. The largest even too big in my opinion, since the 35mm image is washed out and contrast and colors are lost. 70mm ought to be used on any screen wider than 17 meters. 

Which brings the subject to screen size. CinemaxX advertised their screens to be up to 80% larger than ever seen in Copenhagen! It is simply not true, as there are several examples of screens larger than CinemaxX's magnificent screen #1 in Copenhagen. The IMAX Dome screen is nearly 3 times as large and in 1962, 3-strip Cinerama was shown on a screen nearly 28 meters wide! 

Their claim offended a lot of people and made a lot of controversy. The discussion even hit the newspapers and local TV. In this case our new guests, the Germans, must have consulted with an amateur in Copenhagen screen size history.

Here are the facts as I see them.

Screen and theatre sizes:

Cinema Screen width in meters ..in feet
Tycho Brahe Planetarium 823 sq m 8859 sq feet
Drive-In Copenhagen 33,4 109
CinemaxX 1 24,5 80
CinemaxX 4 18,1 59
Imperial Bio 15,7 51
CinemaxX 5 15,6 51
CinemaxX 2 & 3 15,3 50
Palladium 12,3 40

Screen and theatre sizes for closed cinemas:

Closed Cinemas Screen width ..in feet
Forum (1998) "Starship Troopers" & "Mulan" 35 115
Kinopalæet (1962) Cinerama 27,2 89
Kinopalæet (1960) Todd-AO 23 75
Forum (1959) "Windjammer" Cinemiracle 22 72
3 Falke Bio (1958) Todd-AO 18,5 60

The largest cinemas in terms of number of seats are Imperial Bio (1102), CinemaxX #1 (754) and Palads Teatret #1 (689). The smallest cinema is screen Benjamin at the Film Museum with a disappointing 42 seats. Almost half of the cinemas of Copenhagen (25 of them) have less than 100 seats.

The aforementioned 58 screens contain 11037 seats. The average number of seats is 190. However, if the three largest cinemas are removed (23% of all seats), the average theatre size will be 154 seats, a number which is more accurately reflects reality.

Distribution & Programming

The distribution of films is done by Nordisk Film A/S, United International Pictures, Buena Vista and Warner/Metronome. Nordisk Film handles titles from Columbia, TriStar, MGM. UIP have Paramount and Universal and recently they added titles from ScanBox Films. All companies also distribute domestic films. All foreign films are shown in original versions with Danish subtitles. Animation is dubbed into Danish but often released in original language versions as well.

All Cinemas One by One

CinemaxX: The latest addition to the cinemas of Copenhagen. 10 big screens with state-of-the-art projection- and sound equipment and modern auditoria appearance of off-the-shelf interior "design" or lack thereof. On the positive side, the screen in the largest cinema is curved. JBL, QSC and 2x10mm² wires are used throughout. A most eye-catching waterfront glass wall, which surely will be used a lot next summer. Free parking space, and a very spacious and clean restroom. Some very confusing television screens displaying what is being shown flaw the entrance. 

: 5 screens next to Town Hall Sq. Features digital sound and JBL speakers in all screens. A very informative web site. Movie books and CDs are sold from the box office, a café and a nice red tall neon sign. The staff are always on top of things and making the foyer a nice place to wait for the film. The foyer was "updated" last year to Swedish Sandrew high-tech standards. Dagmar and Scala are managed by Sandrew/Metronome.

Filmmuseet "Cinemateket" Technically top-of-the-line screens, a café and a bookshop. Cinemas are named after three Danish film pioneers (not cinema, but film pioneers). The environment around the cinemas is very sterile and perhaps a nice place for the cultural film elite in this country. It is not my cup of tea. The cinemas show a diverse range of old films, but never 70mm. Web: www.dfi.dk and press Cinemateket.

Gloria: Very good atmosphere in the tiny foyer. The projectionist, who is also in charge of ticket sales etc, sells video films and French movie posters. I like to request a nice neon sign please. Member of "Europa Cinemas".

: One of the oldest cinemas in Copenhagen and still independent. Have specialized in French movies since the 60s although the programming is much more mainstream today. Digital sound is featured in 5 of the 6 screens. The excellent café in the tiny foyer is always crowded before films begin. Posters for sale at reasonable prices. Sadly, they took their neon sign down a few years ago. Put it up again, please. Member of "Europa Cinemas".

No cinema wiout a manger. Mr Børge Nielsen has managed Huset's Biograf for many, many years. Image by Thomas Hauerslev, 03.07.2008

Husets Biograf
: Independent cinema specializes in films not shown anywhere else. Well hidden on the second floor inside an old warehouse.

Imperial Bio: State of the art Grandeur in size, picture and sound. Celebrates its 40th anniversary in 2001. Managed by Nordisk Film and home of most red-carpet premieres in Copenhagen. There's a large dedicated crowd of "Imperial Junkies" who see everything there BECAUSE it is Imperial. Probably the best cinema in the world. Only drawback is the pervasive smell of popcorn.

Palads Teatret: A Copenhagen landmark cinema dating back to 1918. Rebuilt 1978 and 1979 into 17 screens and became a model for many multiplex cinemas since. Although many screens are small, Palads remains a very popular cinema among the younger moviegoers, probably because Palads is always running a film worth seeing. Like the Imperial and Palladium, Nordisk Film manages Palads (And it a money-maker!). A very interesting café dedicated to the Olsen Gang movie series (1968 - 1999) with lots of memorabilia from 14 films. The building was painted by professor Paul Gernes in 1989 in an incredible symphony of colors.

Palladium: Nordisk Film's cinema for the mature audience. Opened in 1978 and renovated twice during the 90s with JBL speakers and new Skeie seats. Located in a mall just off Town Hall Sq, Tivoli and opposite Scala cinema. Lots of posters for coming attractions and a large café. Managed by Nordisk Film. The mens rest room has recently been renovated.

Posthus Teatret: Perhaps the most eccentric of all Copenhagen's cinemas. A privately run and owned cinema with rear projection. The cinema is quite small and located in the basement. The manager is also distributing his own films with great succes. 

Scala: The Scala cinemas are located on the 4th floor in a shopping centre. All screens are state of the art with JBL speakers, THX (#1, #2, #3 only) and digital sound. If the management would address the smelly restrooms, worn out seats, sticky floors and noisy foyer music seeping into the cinemas during commercials, however, the overall experience of Scala would be much better. A BIG plus for Scala is excellent design of cinema's #1, #2, #3 (although a curved screen would enhance #1). Another plus for the location is the out-door café during the hotter summer months and the four immense 24-sheet posters on the exterior facade. Closed, see the update

Tycho Brahe Planetarium: Some people will argue that "it's not a cinema". Well TBP shows IMAX Dome films 11 hours every day, 7 days a week, 365 days a year and has done so since opening in 1989. On top of that it's the largest screen in Denmark. The foyer is rather boring and except for a single poster or two, certainly not exposing the IMAX 70mm experience in any way. A large neon sign on the front would not hurt, except the architect's pride I suppose.
Vester Vov Vov manger and owner Torben Wolsgaard next to an Erneman V on display in the foyer. Picture by Thomas Hauerslev

Vester Vov Vov: The only cinema to take its name from a vintage Danish silent film. Two screens, a splendid café and a pooltable. Member of "Europa Cinemas". The café tables and chairs are made by Maison Drucker S.A. just north of Paris. An old Ernemann V is displayed in the foyer. The specialty of VVV is the airplane seats in screen #1.

...and next door to Copenhagen

The "Pilstorp Exhibition of Industry and Crafts", in Malmö was the first place in Sweden to show moving pictures way back in 1896. Today there is one cinema in Malmö that is worth a 45 minute voyage to Sweden.

The Royal, purpose built for 70mm- and CineMiracle projection in 1961, is the only 70mm house left in Malmö. The screen is 17,6 meter (58 feet) wide and deeply curved. The Royal is crème-de-la-crème of equipment: DP70, QSC, JBL, Dolby Digital, DTS, SDDS and THX. Four to six times a year original 70mm titles are shown on the massive screen projecting them as they were meant to be seen. 

Unfortunately film bookings of the Royal are rather weak. Svensk Filmindustri AB in Stockholm could make much better use of the 682 seats and the big screen by playing the spectacular high-octane titles. Much too often these are sent to the considerably smaller Filmstan, their local film supermarket. Royal is open every evening and in the afternoon during weekends.


Summary of Copenhagen's cinemas

All cinemas are very close to public transportation, they all show the end titles of films and most projectionists manage to focus quickly. All projectionists I know are very skilled and take great pride in their job. Many of them work full time and spend many hours in the cinema. They are all very open to visitors who ask permission to see the projection room. The minimum wage for a projectionist here is DKK 107,75/hour (Nearly 10 British pounds).

Most cinemas have a café, where you can buy everything your heart desires; popcorn, chocolate, beer, wine or a drink before the film. Ticket prices range from around DKK 50 to DKK 85 (GBP 4,3 - 7,4).

There are still needs for a dramatic increase in rest rooms for women around town. The smell of popcorn can be reduced everywhere without any complaints from me, and more neon signs would be a nice touch. I most enjoy screens which are curved and equipped with curtain but they are rare. It would be fabulous if the digital sound format and cinema in which the films are shown were specifically announced in the advertising. At most of the cinemas you can buy your ticket in advance on a reserved seat basis, even several weeks ahead. By the way, the first row of seats in Danish cinemas is known as #1 and it's always nearest to the screen, except at CinemaxX it's different: the first row I called "V" and the last row is "A".

I think we have a very high standard in our cinemas here in Copenhagen both in equipment terms, how films are presented and how the cinemas are kept and run. There is of course room for improvement here and there but things are constantly being updated. Judge for yourself next time around you come for a visit.
Go: back - top - back issues - news index
Updated 21-01-24