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VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

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Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 


"CUT"

• Go to A Unique Analogue Workshop Event
• Go to Gallery
The Making of "CUT"

PHOTOGRAPHED WITH THE ARRI 765
• • Go to Films photographed with the ARRI 765 65mm camera

“AS GOOD AS IT GETS”

• Go to “As Good as it Gets”
"As Good As It Gets" Introductory Notes
"As Good as it Gets" - Afterthoughts

"NO TIME TO DIE"

• Go to
"No Time to Die" Filmed (in Parts) in 65mm

“MATTHIAS AND MAXIME”

• Go to
Photographed on 65mm Film

“TOUR EIFFEL”
On Location in Paris with ARRI 765
By Veit Helmer
The 765 looks and runs like any 35mm camera. Even the exterior of the 765 is hardly different from a 35mm camera.

“BMW 850i”
Making of BMW 850i
By
Volker J. Müller
Director/cameraman Siegfried Steiner proposed to BMW to shoot the exhibition film in the 70mm-format. The advantages were quite obvious: More light-output, a sharper image, larger screen, etc. The automobile manufacturer agreed enthusiastically.

 
 
ARRI, MUNCHEN, GERMANY

• Go to A Visit to ARRI in München
Go to gallery A Visual Visit to ARRI in München

ARRI, MUNCHEN, GERMANY

• Go to Otto Blaschek - The Making of ARRI 765

"SUNSET SONG"
Sunset Song Filming in 65mm
Director Terence Davies has begun principal photography in Scotland on "Sunset Song", a film adaptation of Lewis Grassic Gibbon’s 1932 classic novel. To capture the landscape, the filmmakers have chosen to shoot on 65mm film, a creative decision that the producers say “will ensure depth, clarity and emotional impact on the screen”.

“NANGA PARBAT”
A film on historic scaling of Nanga Parbat
By
Rizwan Ehsan Ali
Renowned mountaineer Reinhold Messner has teamed up with precisionist director and producer Joseph Vilsmaier to shoot a film on Nanga Parbat yet to be named.

“FAR AND AWAY”
How "Far and Away" became 65mm
By Mikael Salomon
"Far and Away" began as a small film which Ron and I talked about making, while shooting
"Backdraft"

ALSO WITH THE ARRI 765
"The Witness" in Super Panavision 70
 
"100%" in 70mm
 
The Filming of "The Testament of One Fold and One Shepherd"
 
Super Panavision 70 On an Indian Reservation

 
 
GOLD FOR THE ARRI 765

ALEXA 65
ALEXA 65 - The splendor of 70mm is reborn
By Jacques Morell
We were waiting for the new Panavision digital 65mm camera developed with NASA engineers. The information has been published in January with a picture of the prototype. And no more news 9 months later… The breaking news is coming from Germany! ARRI is the leader of digital 35mm cameras all over the world with its complete range of ALEXA cameras.
ALEXA 65 - le 70 mm redevient le format d’excellence au cinema
Jacques Morell
On attendait la sortie imminente de la nouvelle caméra Panavision numérique 65mm développée avec le concours de la NASA. L’information est parue en début d’année avec une photo d’une version prototype. Et depuis plus rien. Surprise! La bonne nouvelle est venue d’Allemagne. ARRI, dont les différentes versions de caméras numériques de la gamme ALEXA sont la référence depuis des années sur les plateaux de tournages en Europe et dans le monde entier, sera non seulement la marque leader du cinéma 35mm numérique

• Go to
"Roma" by Alfonso Cuarón. Production Notes

• Go to
Destination Film: Roma in 70mm


• Go to Arriflex's ARRI 765 Camera System
 

Online: 02-06-1999. Updated: 10-02-2024