“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

70MM is back to ARCADIA CINEMA - FIRST LOVE NEVER DIES

Read more at
in70mm.com
The 70mm Newsletter
Written and photographed by: Francesco Gualeni, ARCADIA’s patron and super fan ;) Date: 25.11.2014
After years and years of Digital projections, 70MM film is back to ARCADIA, the only cinema in Italy to present "Interstellar" in both 70MM film and 4K Digital formats. ARCADIA opened in 1997, has 5 auditoriums, all THX certified. The biggest one the 630-seats ENERGIA auditorium was especially built for 70MM presentations. With its screen of 30x16,5 meters (98x54 feet) is the largest seamless continuous screen in the world, courtesy of British company Harkness, Perlux technology. From the very beginning, ARCADIA choose to give its audience the best movie experience using the best technology available with the goal to respect filmaker’s true intentions & hard work on one side and movie patrons on the other side. Everyone still remember the 5/70 presentations of "2OO1: A SPACE ODYSSEY" (with producer Jan Harlan special guest), the 8/70 presentation of MYSTERIES OF EGYPT (national premiere) and many many other 70MM presentations. What memories!

Then in 2001 the Digital evolution began in ARCADIA with the first Digital projection in Italy of Walt Disney’s ATLANTIS: THE LOST EMPIRE. At that the time, in 2001, with the first generation of digital projectors (many years before the 2K and the 4K formats were available).
 
More in 70mm reading:

Gallery: 70MM is back to ARCADIA CINEMA

Interstellar: La Magia Del 70mm Al Cinema Arcadia Di Melzo (Milano)

Arcadia Cinema, Melzo, Italy

"Interstellar" Now Playing in 70MM

Internetlink:



 
From then the celluloid prints have become fewer and fewer and ARCADIA became the first all-Digital Cinema complex in Italy. Alongside Digital projectors (in Energy booth there is a dual projection configuration system with two 4K Christie Digital projectors, the only one in Italy and presumably one of the few dual 4K configuration in the world), it was decided to maintain projection booths with Cinemeccanica Victoria 8 35/70mm projectors, Dolby CP500-D, DTS 70 and magnetic sound. When director Christopher Nolan choose to shoot "Interstellar" in 35mm anamorphic and 15/70 IMAX formats he wanted to give the non-IMAX theater the opportunity to show his movie in the best way as possible and 70MM prints were made.

First love never dies … when Mr. Piero Fumagalli (ARCADIA owner) heard about that possibility, he asked Warner Bros Italy for a 70MM print beside the 4K Digital version. The 70MM print arrived from London on Monday the 3rd of November 2014 in 8 film cans all locked. Mr. Piero Fumagalli himself inspected each reel making sure the film was free of any damages. The print was in a very good condition and he did himself all necessary work loading it on 70MM platter. I saw the 70MM show of "Interstellar" on Friday the 7th of November.
 
 
The theatre was full of patrons, Excitement was very high, projection was perfect, picture and sound were great, the experience was wonderful!
I saw the 4K version the next Saturday, still in ENERGIA. In conclusion, what is the best way to see "Interstellar"? There is not a correct answer. They are different. I'm used to travel through 70MM festivals across Europe watching sometimes scratched, pink 70mm prints ….


Everyone experience a movie with her/his own eyes and with her/his own heart. 4K Digital has an image cleaner and steadier and a pristine presentation from the first to the last show…70MM with its own terrific definition and its own little imperfections has a SOUL that goes straight to the heart.

Many Thanks to Mr. Piero Fumagalli and ARCADIA CINEMA. I know how much work is behind. They have given the opportunity to Italian patrons to experience "Interstellar" in 70MM film and 4K Digital formats, a special occasion that I wonder IF and WHEN will ever happen in the future. Film prints are going to die, but that doesn’t mean that in the future, for specific movies, there could be some special 70MM presentations. I hope so and alongside many other patrons am looking forward to repeat the experience in both formats for upcoming Quentin Tarantino’s Hateful Eight.

Indeed, FIRST LOVE NEVER DIES.
 
 
   
Go: back - top - back issues - news index
Updated 21-01-24