“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
"Comanche Stallion" filmed in Superama 65mm by Fatali Eye Productions |
Read more at in70mm.com The 70mm Newsletter
|
Written by: Fatali |
Date:
13.01.2017 |
SYNOPSIS
General Lathrop, a man with a violent obsession, seeks retribution for the
untimely death of his son by destroying the horse he believes is responsible
for his death. In the ensuing chase the General drags an entire cavalry
detail as well as a group of Comanche into his web. The Comanche believe the
animal is a spirithorse, a mystical creature they must protect at all costs!
Dedication: John Ford. Written By: Harry Carey Jr. Narrated
By: James Arness. Producers: Clyde Lucas And Fatali. Director
Of Photography: Fatali
I am so thrilled to be chosen by Clyde Lucas to become a partner filming
Comanche Stallion. This script was the legendary John Ford’s pet film
project, which never reached the screen. Comanche Stallion, based on the
novel by Tom Milstead, it’s the story of the Comanche’s search for a
mystical horse, while suffering the wrath of General Lathrop. Ford wanted
Burl Ives for the role of the general, but Ives’ health was not up to the
task, and Ford’s own health also failed.
Producer Clyde Lucas has been chosen to join his passion moving forward in
making Comanche Stallion into a reality. He sees the potential of this film
and how it should be made beautifully, and on film. I share this passion and
vision of Clyde. I have been seeking the right project to debut our large
format film company, Fatali Eye Productions. Filming Comanche Stallion will
give us the opportunity to bring back the craze for western cinema. We have
agreed to make this film in a widescreen format of Superama 65mm. This
format is suited very nicely for the landscape image and to do it justice.
My vision is to bring not only the story to life, but also the spirit of the
place once lived wild and free in beauty; a visual narrative going beyond
words inscribing into translations of light. ComancheStallion.com
|
More in 70mm reading:
A Hunter of Light in 65mm
"EMVF in 65mm: Movies
for Your Ears"
Making
"Treasure Seekers", a short film in 70mm
Internet link:
fatali.com
about.me
P.O. Box 527
Park City
Utah, 84060
435-772-2422
|
Close
up of Fatali's Todd-AO AP 5 Perf. camera modified by Fries.
CLYDE LUCAS
Clyde Lucas, born September 10, 1951 in St. Louis, Missouri, is an American
director, composer, and producer. Lucas started his musical career at the
age of 14, playing drums and touring with the Jimmy Strickland Band.
Strickland hosted his own country western TV series. He made his first TV
appearance in 1966 on the "St. Louis Hop" dance show. In 1969, Lucas formed
his own rock group; from 1969 to 1970 he played all the major rock clubs in
St. Louis, and opened for The Flock and the Lemon Pipers. He moved to
California in 1971, where he met and played drums for JJ Mack and opened for
The Chambers Brothers. Lucas was a drummer for Charley D & Milo at Epic
Records, followed by drums with Bruce & Dixie Innes of the Original Caste
who had the Million Seller record "One Tin Soldier." Performed with John
Hartford (gentle on my mind) and for John Denver in Spokane, Washington.
Clyde Lucas Directed: "Time Machine: The Journey Back" starring Rod Taylor,
Alan Young & Michael J Fox. distributed by Warner Bros. "Thank Ya, Thank Ya
Kindly" with Paul Hogan & Clint Eastwood. "The Avengers: The Journey" hosted
by Patrick Macnee. 14 years Musical Director for the Golden Boot Awards for
the Motion Picture & Television Fund. BMI member and singer/guitar appeared
on the Hardy Boys with Paul Williams and Shaun Cassidy. Partners with Harry
Carey Jr for 27 years
FATALI EYE PRODUCTIONS
The Fatali Family is now debuting their Large Format 65mm motion film based
company. Seeding from Fatali’s vision in the minds eye, and the translations
of his visual narrations of nature’s light, land, and spirit…. in hope you
will be more inspired by nature’s beauty, to praise and preserve our natural
wonders for generations.
FATALI
Fatali, often referred to as the light hunter, has been chasing the light
for over thirty-years. He specializes in large format film capture of both
still and motion of natural light that captivates the viewers’ emotion with
the spirit of nature. He has received recognition as one of the world's top
landscape photographers. If you ever stood in front of his images, you will
know why.
ON A MISSION IN 70MM
I found my healing journey of spiritual and creative revolutions through
nature, soon after I lost my mother from cancer when I turned fourteen years
of age. Finding my voice in recording light, serves the purpose of telling
my story, sharing a message, and to leave footprints of inspiration for
generations to come. I ache for this story to be told on a heart level and
to be heard once again, as I believe its source comes from an ancient
language through the spirit of Earth meeting Heaven. Not spoken in tongue,
but felt through it's eternal love and healing connection, in a place where
we first came from, and where we will return once again.
A language of light, speaking from the heart of land and spirit, was not
learned overnight. I have walked, hiked, climbed, camped for decades, while
the entire time I was intimately engaging my relationship with nature,
listening, touching, feeling, slowly letter by letter, word by word, I have
come to learn a universal language that infuses nature’s physical beauty and
spiritual energy, beaming ancient scriptures spoken through light and
shadow. As God is the Author of these marvelous passages, we are blessed to
experience; I am honored to serve as a visual Narrator of this language. I
invite you to help me share this mission to others and together we will
spread the light! -Fatali
|
|
|
|
Go: back - top - back issues - news index Updated
21-01-24 |
|
|