“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

The Wrath Of DP70 # 2333

Read more at
in70mm.com
The 70mm Newsletter
Written by: Brian Walters, Australia Date: 15.07.2023
Dear All,

Saturday June 17th started out as a nice relaxing day with me going out to my usual cafe for a coffee and to read the daily newspaper after this I headed home and out into the Esquire bio to screen reels two through six of an incomplete 70mm print of “Star Trek II: The Wrath of Khan”. I ran these reels through on one projector and during the screening I could see a faint bit of fuzzy edge at the bottom of the image. So after the final reel six had finished I left the Xenon on to touchup the aperture plate. To do this I removed the 70mm gate and bands and restarted the projector. When doing this, which I have done many times, great care must be taken not to drop the aperture plate into the intermittent sprocket rotating beneath and of course also to be wary of the aperture hole with the high-speed shutter rotating behind it. On this occasion I took the aperture out and back in four or five times until I was happy there was a clean edge with minimal spill over. On the last occasion to make sure all was good I push down with my right index finger on the top with the aperture plate and looked at the screen, unfortunately for me my finger slipped down the aperture plate and my middle finger went through the 70mm aperture hole into the shutter. With my finger going down and the shutter blade coming up there was only going to be one winner, the shutter hit my finger near the top and peeled back the tip, it then hit it again and severed my finger below the nail and just above the last knuckle.

• Go to The 70mm Trailer Anomaly
• Go to Around The 70mm World In Thirty Seven Days
• Go to
The H8 Down Under

When I looked at my finger I'm sure my expression was like that of the liquid man at the end of “Terminator 2: Judgment Day” where he looks down in disbelief at his forearm separated from his hand still frozen to the foundry floor. Fortunately my estranged wife Kim was also at home and as she is also a registered nurse she was concerned for me going into shock. She rang for an ambulance and the paramedics were there in just a few minutes, they treated me with the green whistle for pain relief and cleaned up the end of my finger. He asked me where is the rest of my finger to which I replied it’s inside my projector. We proceeded into the Esquire bio where I removed the side cowling of the shutter housing, where using a torch he retrieved my finger segment and put it into a zip lock plastic bag. Obviously a great photo opportunity was missed here, it’s not everyday that a body part is removed from a DP70!
 
More in 70mm reading:

DP70 / Universal 70-35 / Norelco AAII - The Todd-AO Projector

DP70s in Australia

The 70mm Trailer Anomaly

Around The 70mm World In Thirty Seven Days

The H8 Down Under

in70mm.com's Library

Presented on the big screen in 7OMM

Peripheral Vision, Scopes, Dimensions and Panoramas


 
On arrival at the hospital I received morphine and fentanyl for pain relief. I was taken for x-rays of the finger and the severed tip. Again I was fortunate in there being a hand surgeon on shift at the hospital and also that an operating theatre was available for surgery that night. Surgery was at 8 pm and the surgeon said that there was only a 10% chance of reattaching the finger due to the amount of tissue damage and that the most likely outcome would be cleaning up the end of the stub and performing a skin graft using skin from the side of my finger to cap the remaining stub. Just before I went out to it I asked the surgeon how long it would take to do the skin graft option and he said one hour and I ask him how long if he could reattach the finger and he said over four hours. So given the low percentage to reattach the finger and the time involved I was resigned to the fact that I would have a shortened finger after surgery.

I woke up in a bed in the hospital ward and looking down at my bandaged hand I was surprised that I could see the tip of my finger. The surgeon was still there and said that he had reattach the finger and that we were now at a 50% chance of me keeping it but we were not out of the woods yet. His next comment surprised me when he said that he had arranged for leeches to be flown up overnight from Sydney as part of the treatment for the finger. The leeches arrived the next day and one by one with breaks of 45 minutes between them they were attached to my finger to draw blood through the repaired blood vessel. The time they spent attached varied from 20 minutes to 4½ hours.

So 11 days and 56 leeches later I left hospital and headed home. I thought it was prudent on my part to only attach the photo above and not other photos that are quite graphic and gruesome. In four weeks time I will have another procedure done to remove the two wires that are holding the bone together in my fingertip. In the week before that I plan to travel to Melbourne to see "Oppenheimer" in IMAX 70mm as well as conventional 70mm at the Sun Theatre Yarraville.

The annual widescreen weekend due to be held here at the Esquire on July 21 will still proceed with the help of a relief projectionist, the show must go on.

I look forward to catching up with everyone in 2025 when I plan to travel to Europe and North America for the 70th anniversary of 70mm!
 
 
   
   
   
Go: back - top - back issues - news index
Updated 21-01-24