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METRO TO FILM TOP PIX IN 65M
Makes Possible Presentation On Largest Type Screens; Panavision Develops
Lens | Read more at in70mm.com The 70mm Newsletter
| Written by: HOLLYWOOD REPORTER 27 APRIL 55.
Prepared for in70mm.com by Brian Guckian, Dublin, Ireland | Date:
15.01.2015 |
Metro yesterday became the first major studio to announce a switch to 65m
photography for all of its top productions. The new filming technique will
make possible the presentation of these pix on the largest screens available
anywhere, it was disclosed in an announcement by E. J. Mannix, studio
general manager, concerning important new technical advancements and
expansion of operational facilities in all departments.
The new system for filming will utilize conventional-type cameras with
mechanisms adapted to handle double-size negative and the APO Panatar, a
taking lens developed by Panavision. To achieve printing flexibility so that
top pix will not be limited to only super-sized projection, studio will use
the Micro Panatar, Panavision's optical printing lens that permits prints fn
standard gauge, wide-screen or anamorphic.
While announcement that Metro has decided to enter the super big-screen race
as the first major is new, studio's technical experts have been working on
the development of a technique with simplification of operation for upwards
of a year with Panavision prexy Robert Gottschalk and John R. Moore,
executive veepee. Numerous tests have been carried on recently and even more
comprehensive tests, with probable assignment of the first production to use
the system, will be undertaken in about three weeks. Meantime, Panavision is
going ahead with the development of added units.
System is so designed that exhibition prints will accommodate optical or
magnetic sound tracks for standard screens and processes up to
super-stereophonic sound for the largest screens in either magnetic or
optical forms. Tests so far show that the special camera lenses developed by
Panavision provide for simple operation, minimum weight and photographic
images with a focus sharpness and freedom from distortion not "hitherto
achieved in large-screen presentations," the Mannix announcement stated.
Mannix said the new production resources have been planned and carried out
by J. J. Conn and technical experts in all branches concerned, giving credit
to Douglas Shearer, in charge of technical research, assisted by Franklin
Milton; John Arnold, head of the camera department; Merle Cham-Berlin,
projection, and his staff; E. J. Tucker, laboratory, and staff such as
Irving Ries, Jack Turner, Elmer Londre, and Herman Lentz. It was stated that
experiments date back to the early wide-screen effects used in the first
"Billy the Kid" film made by Metro nearly 25 years ago. At all times,
experiments were tied in with achieving sound quality and, to this end,
Wesley C. Miller, sound department head, is incorporating the
super-stereophonic form of recording into his department with a minimum
modification of present recording equipment.
| More in 70mm reading:
Panavison Large Format Motion Picture Systems
The
Importance of Panavision
Super
Panavision 70
Ultra
Panavision 70
Ultra
Panavision 70 Lens
Internet link:
"The Motion Picture Projectionist"
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| | Go: back - top - back issues - news index Updated
21-01-24 | |
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