“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Projection, sound and curtain cue sheets for "Exodus"

Read more at
in70mm.com
The 70mm Newsletter
From the Rayton collection, written by: F. Wm. Boettcher, Tech. Supervisor, Otto Preminger's "Exodus" -35mm. United Artists Corporation 729 Seventh Avenue New York City 19, N.Y. Date: 28.09.2020
Projection, sound and curtain cue sheets. Otto Preminger's "Exodus". 35mm Technicolor 2.35:1 anamorphic. Standard optical sound track print version

Consists of 14 reels (2000 ft) size. Total footage 18,670 ft.
Total running time less intermission - 3 hours, 27 minutes, 23 seconds
1st half running time: 2 hours, 5 minutes, 23 seconds
2nd half running time: 1 hour, 22 minutes

This print requires the use of the theatres regular anamorphic and prime lenses and 2.35:1 ratio optical sound track apertures for proper projection - for proper sound reproduction of the "Exodus" 35mm version print. The theatres standard optical sound system should have its sound reproducers adjusted for academy sound quality response, and the volume of each projector balanced, for best results.

In projection rooms, having fast projector motor acceleration on starting, it is recommended that all reels of this print be threaded to start on leader frame #10, in the aperture, to obtain proper picture and sound changeovers. Reel #4 must be threaded correctly, or incoming dialog by General Southerland "Call your boarding party" will not be heard after the changeover is completed. Be sure when making reel end changeovers, that picture and sound changeover switch-operations is simultaneous, as delayed sound changeover can cause missed dialog on incoming reels.

• PDF: Projection, sound and curtain cue sheets for "Exodus"
 
More in 70mm reading:

PDF: Projection, sound and curtain cue sheets for "Exodus"

Technical Information bulletin for "West Side Story"

70mm Presentations - Letters from Directors

2001: A Space Odyssey Essential Presentation Procedure

Internet link:
 

Special instructions to managers and projectionists "Exodus" 35mm

 
The 35mm Technicolor prints of "Exodus" are very costly prints. You are herein requested to assist in every way possible, to assure the preservation of the 35mm print shipped to your theatre for "Exodus" presentation. Be sure that the theatres 35mm sound projectors and the 35mm rewinding equipment and the 35mm film storage facilities are in clean and perfect mechanical operation condition, and that no damage to the "Exodus" print occurs, due to neglected theatre equipment maintenance or improper adjustment.

As the "Exodus" 35mm prints shipped to your theatre are mounted on 2,000 ft. Reels, and each of the 10 reels is only conservatively loaded, it is herein requested, that none of these reels be further doubled-up, during your theatre engagement use.

We recommend that the "Exodus" 35mm print reels, at all times when not in use for the show, be properly stored in your 35mm reel storage cabinets, or if insufficient storage cabinet space (14) is not available, that the odd reels should be stored in tie prints shipping containers for proper preservation.

Records on print service life expectation, of 35mm Technicolor prints, are on file, where the original print furnished to the theatre was the only print used during the theatres entire engagement. Your care and proper maintenance of your equipment is necessary for the preservation of the "Exodus" print, furnished to your theatre.

Instructions will be forwarded to your theatre, after the end of your engagement by your local United Artists exchange, as to the pick-up and disposal of your "Exodus" 35mm Technicolor print.

There is no overture, intermission or exit music attached to any of the "Exodus" print reels.

Under no circumstances is any record or other type of music, to be played for overture intermission or exit purposes during the presentation of any "Exodus" performance in your theatre, at any time.
 
 

Projection, sound and curtain cue sheet "Exodus" 35mm

 
First half of show:

Signal 2 minute warning for screen curtain operation.

Slow dim-out house and curtain lighting to all-out.

Start reel # 1 - hit. "0tto Preminger presents" (start of main title) - on closed curtains, then open curtains.

Reel #1 - sound - Main Title Music should start with fader 3 steps above dialogue normal. Hold this 3 steps through main title and narration which follows in opening scene of picture.

Fader down 3 steps to dialogue setting when Eva Marie Saint and man move into scene from left to close-up.

Reel #2 fader at normal dialogue setting.

Reel #3 fader at normal dialogue setting.

Reel #4 fader at normal dialogue setting. (this reel starts with the General Southerland's dialogue "Call your boarding party")

Reel #5 fader at normal dialogue setting.

Reel #6 fader at normal dialogue setting.

Reel #7 fader at normal dialogue setting.

Reel #8 fader at normal dialogue setting.

Signal 2 minute warning for screen curtain operation for intermission (end of section of reel #8)

At fade out of last scene of reel #8, (close-up of Eva Marie Saint alone) close curtains and bring up house and curtain lights to full for intermission (the above last scene fades into intermission title with no sound and intermission title (13ft. Long) fades out into safety black film.

Intermission

(try to hold intermission to twelve min.)

Second half of show:

Signal 2 minute warning for screen curtain operation.

Slow dim-out house and curtain lighting to all-out. (House must be in darkness) open curtains to full open position, in dark house.

Start reel #9. Hit picture on full-open screen and sound simultaneously, not to miss music sound at start of reel.
 
Reel #9 - sound start reel - 3 fader steps above normal dialogue, for loud second half show start.

At start of dialogue, lower fader 3 steps fast, to normal dialogue setting.

Reel #10 fader at normal dialogue setting.

Reel #11 When you see the second close-up of the Prison Toilet Bowl, raise fader up 3 steps fast for Bomb Explosions, Prison Break, Prisoners Escaping and Chase Sequences which follow, and hold.
 
When car with 3 escaping men in it, swings off the road, and finally disappears down into a deep ravine toward the right, behind tall bushes, drop 3 fader steps to normal dialogue setting.

Reel #12 Fader at normal dialogue setting.

Reel #13 Fader at normal dialogue setting.

Reel #14 Fader at normal dialogue setting.

Signal 2 minute warning for screen curtain operation for end of show. (end of reel #14)

In the last scene of reel #14, when all of the loaded going down the road to the right, and when you see the last small ambulance with a round canvas top come in on the screen down the road - close the curtains and wait for the "Exodus" end title, with flaming fire music end, before dimming up house and curtain  lights.

End of show
 
 
   
   
Go: back - top - back issues - news index
Updated 21-01-24