Title | Format | Opening | Sound | Studio | Notes |
“Capricorn One” | Panavision | June 2 (USA) | 6-Track Stereo | Warner Bros. | First of many Peter Hyams-directed movies to have 70mm prints. Also test screened in 70mm prior to release. |
“Comes a Horseman” | Panavision | Oct 25 (USA) | 6-Track Stereo | United Artists |  |
Coming Home | Spherical (1.85:1) | NA (Canada) | 6-Track Stereo | United Artists | US 35mm release: Feb 15. |
Crossed Swords | Panavision | Mar 2 (USA) | 6-Track Stereo | Warner Bros. | Screened in 70mm at Radio City Music Hall in NY. Engagement included “The Glory Of Easter” stage show. AKA: “The Prince And The Pauper.” |
“Days of Heaven” | Spherical (1.85:1) | Sept 13 (USA) | 6-Track Dolby Stereo | Paramount | OAR blow-up. Highly regarded as one of the finest spherical 35mm-to-70mm blow-ups. |
“The Deer Hunter” | Panavision | Dec 8 (USA) | 6-Track Dolby Stereo | Universal | US reserved seat engagement. One-week Academy Award consideration run Dec 8-14 in Los Angeles. Returned for nationwide release on Feb 23, 1979. Advertised in “Super 70mm 6 Track Stereo.” OAR blow-up. |
Don | NA | Oct (India) | 6-Track Stereo | NA | |
“Grease”
“Grease” is Still the Word
| Panavision | Aug 4 (Australia) | 6-Track Dolby Stereo | Paramount | Initially released in the US in 35mm on June 16. 70mm prints available in the US beginning August 16. 70mm re-issue in ‘79, & 35mm-digital in ‘98. |
“The Manitou” | Panavision | April 26 (USA) | 6-Track Dolby Stereo | Avco Embassy | Initially released as a 70mm Salt Lake City, Utah exclusive. Nationwide 35mm release in May. 70mm print circulated to other cities (including Chicago) later in run. |
“Metamorphoses” | Panavision | May 3 (USA) | 6-Track Dolby Stereo | Sanrio | US 70mm test screening in Los Angeles on June 14, 1977. US 70mm release unconfirmed. Title is listed in the book “Wide Screen Movies.” Re-issued in ‘79/80 as “Winds Of Change.” Also see the 1979 entry for “Winds Of Change.” |
Punk Rock Movie, The | NA | June (USA) | 6-Track Stereo | Cinematic | US 70mm release unconfirmed. Title is listed in the book "Wide Screen Movies.’" Photography format unconfirmed (some sources indicate Todd-AO 35, while others suggest 8mm & 16mm). |
“Sgt. Pepper’s Lonely Hearts Club Band” | Panavision | July 21 (USA) | 6-Track Dolby Stereo | Universal | Many of the early Dolby releases were released with a dual inventory (some Dolby, some non-Dolby) of 70mm prints. This was a rare example of one being advertised as such. |
Shalimar | NA | Dec (India) | 6-Track Stereo | NA | AKA: “Deadly Thief” |
Star Wars (Re-Issue) | Panavision | July 21 (USA) | 6-Track Dolby Stereo | 20th Century Fox | The original release never ended in some theatres, but new prints (1,756 -- a record number at the time -- including a few 70mm), posters and ad campaign were created for this successful seven-week re-issue. Some 70mm prints were re-used from original run. |
Superman | Panavision | Dec 15 (USA) | 6-Track Dolby Stereo (SS) | Warner Bros. | OAR blow-up. First 70mm release to feature (as a test) a discrete split surround soundtrack (Dolby Format 43). |
Wiz, The | Spherical (1.85:1) | April 5 (UK) | 6-Track Dolby Stereo | Universal | US 35mm release: Oct 26. |
| | | | | |