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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
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Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
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Who is Greg Kimble?
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Read more
at
in70mm.com
The 70mm Newsletter
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Date:
October 21, 2002 |
 Greg
Kimble is a classically trained visual effects supervisor with credits
dating back to the Special Edition of "Close Encounters".
An avid "Trekie," his first screen credit was on the original
Star Trek film, where he shot all the Klingon war birds and the V'ger
craft.
Later, he got John Glenn safely back to Earth in "The Right
Stuff," made two Michael J. Foxes in "Back To The Future
2," and multiplied the armies in "Braveheart."
The digital age brought many disaster films, like "Volcano,"
"Titanic," "Armageddon," and "Independence
Day," where as Optical Supervisor, he was responsible for every
shot in the picture.
A passionate booster of film preservation, he assisted on the restoration
of "A Clockwork Orange" and was the restoration
supervisor of "Yellow Submarine."
In addition to his rabid interest in Cinerama, he is often found at film
festivals where his live-narrated documentary on the history of visual
effects amazes with its examples of pre-digital effects technology dating
back to the very beginnings of film in 1895.
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Further
in 70mm reading:
"How The West Was
Won" in Cinerama
Cinerama's 50th
Anniversary
Life in Three Panels
in70mm.com's Cinerama page
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Updated
07-01-23 |
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