“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

My trip to Melbourne
News from Kinopanorama Widescreen Preservation Association Incorporated

Read more at
in70mm.com
The 70mm Newsletter
Written by: John Steven Lasher, Kinopanorama Widescreen Preservation Association IncorporatedDate: 27.06.2010
Cliff Williamson is one of the oldest surviving Cinerama projectionists in Australia. He worked at the Plaza Cinema, Melbourne, where he screened all of the Cinerama (and Cinemiracle) 3-strip and 70mm films from 1958 to the very end. Seen on image are: David Kilderry. Cliff Williamson, Phil O’Kane and John Steven Lasher. Copyright (c) 2010 Kinopanorama Widescreen Preservation Association. All Rights Reserved.

My trip to Melbourne was three-fold. First on my agenda (Tuesday, 22 June) was to visit The Australian Centre for the Moving Image (A C M I), and, in particular, to view their permanent exhibition, "Screen Worlds: The Story of Film, Television and Digital Culture". The exhibit covers just about everything relating to 'the moving image'. About the only thing missing was any pertinent information about the various widescreen cinema formats. Also, no info on the current 3D craze. But, then, I suspect that either Samsung or Sony will provide product for a future exhibit. The Tim Burton exhibition was being set-up on the day, but there was not enough in the way of images to attract my attention. Mr Burton officially opened the exhibit of his works on Thursday.

Wednesday was set aside for the Telecine transfers of the Kinopanorama footage of "Grand Ridge Road" [still a working title, since we have yet to actually film in that particular location in Victoria. The actual footage shot by Bruce MacNaughton, our DP, was in The Dandenong Ranges, located less than a one hour drive from Melbourne]. Bruce and I arrived at Digital Pictures well before the time booked for our session.

The transfers were a learning experience for all concerned, as nothing like this [ie. Kinopanorama or any other 3-strip format] had ever been attempted before in Australia. It took Bruce quite a while to convince Dee, our colourist, that the 3-panels would match at the edges if we graded the centre panel and then transferred the left and right panels with the same grading. She'd already done a grade of her own -- taking a shot of each panel and grading each independently. This, of course, was wrong. As Bruce had photographed a gray card for each panel at the beginning of each shot, panning the camera from one film panel to the other under uniform lighting conditions, it was possible to achieve an accurate reference for the overall panoramic images. The equipment being used for the transfers would not allow for any "offsets" as one would employ in RGB grading of film. So, it was back to the beginning. Each panel had to be re-graded to match the grading of the centre 'B' panel. Very time consuming. [Incidentally, the films are imaged on 8-perf horizontal equipment. Think VistaVision. Of course, only 6-perfs for Kinopanorama are used. Greg will rotate each panel 90-degrees in order to 'stitch' the tree-panels to form a single 2.55:1 letter-box image].
 
More in 70mm reading:

Kinopanorama Films
3 strip shoot in the Melbourne Hills
Kinopanorama Camera
John Lashers' Kinopanorama of 1995


Internet link:


The
Kinopanorama Experience

The Kinopanorama Widescreen Preservation Association


The Australian Centre for the Moving Image

 
Kinopanorama camera exhibited at Australian Society of Cinema Pioneers. Seen in picture are: Phil O’Kane, David Kilderry and Steve Buckingham. All gentlemen pictured are current or former projectionists with 70mm experience. Copyright (c) 2010 Kinopanorama Widescreen Preservation Association. All Rights Reserved.

Bruce, who had been in regular contact with Greg Kimble over the past several days, adhered to his instructions. After the film was transferred again the results included some colour lift. Greg's response in his email to Bruce, which I quote, was "your instinct was absolutely correct. Grading each panel independently is the WORST (caps are Greg's) thing the colourist could do. This is why transferring Cinerama/Kinopanorama is such a pain and perplexes even the best colourist. [...] So high marks to you."

The telecine's were transferred to a hard-drive over the weekend. I purchased one with a USB (should have had Firewire), unfortunately. So, it took over 5-hours to transfer roughly 12-minutes (4-minutes per panel) overnight.

The transfers will be couriered to Greg around 1st July. From there on it will be in his more than capable hands.

Thursday was set aside for the quarterly meeting of The Society of Australian Cinema Pioneers in the Melbourne suburb of Prahran. I travelled there by tram. Over 80 members attended. The president of the Society arranged for a screening of
"The Cinerama Adventure". Unfortunately, due to time constraints, only 40% of the DVD footage was actually shown. I was invited to give a talk about the restoration of the Kinopanorama camera, the recent filming in the Dandenongs, the telecine work, plans for a future cinema, and some other bits of information. My talk was well received. The camera attracted plenty of attention. Many questions were asked about the similarity between Kinopanorama and Cinerama, not only in filming but also how the finished film is exhbiited. The members were, after all, mostly current (or former) projectionists.

All in all, most worth while week on the part of all concerned. The only thing to don't look forward to is the Tax Invoice from Digital Pictures or, for that matter, the expense to courier the transfers ex Melbourne to Los Angeles. But, that's the film business, is it not?
 
 
  
Go: back - top - back issues - news index
Updated 21-01-24