“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
Ultra Violence in Ultra Panavision and Poetic Glory
in Cinerama
|
Read more at in70mm.com The 70mm Newsletter
|
Reviewed
by: Mark Lyndon, London |
Date:
10.01.2016 |
First, a word of
warning. This film is not for the faint hearted or the squeamish. It is not
for those who hope and expect cinema to depict the world as it should be, as
opposed to reflecting the world as it is.
"The Hateful
Eight" is ugly, violent, gory and brutal. it also contains some of
the most hauntingly beautiful and poetic imagery ever projected in a cinema.
If at all possible, it must be seen in Ultra Panavision 70. A huge amount of
courage, dedication and vision has gone into bringing this film to the big
screen, for a mainstream audience to have it's eyes opened to what cinema is
capable of achieving in the hands of a true master.
With "The Hateful Eight", Tarantino has proved himself to be a master
of painterly composition in the class of Kubrick, a virtuoso of landscape in
the league of Lean, He shines supreme in the art of casting and directing
ensemble players the like of which has not been seen since Welles and his
Mercury Theatre.
Ennio Morricone has composed a score of outstanding measure and power that
supports and underpins "The Hateful Eight" with great skill and
aplomb. A landmark in the history of film composition is the dissonant fugue
that is heard at a particularly critical point in the action.
There are many references in "The Hateful Eight" to great works of
the cinema and beyond. Tribute is paid to Kubrick, "The Shining" and
the ever present chess game Kubrick played in between takes. Death and chess
are close, as in "The Seventh Seal". In "The Hateful Eight",
White hell is other people, a riff on Satre's Huis Clos and Bunuel's
"Exterminating Angel".
Tarantino is the most painterly director, working in cinema today. He is our
Goya, most notably in his unflinching portrayal of violence and horror. To
see Goya's painting of Saturn will require a visit to the Prado Museum in
Madrid. To see "The Hateful Eight" in 70mm will require a visit to
the Odeon Leicester Square in
London. There is only one print in the UK
|
More in 70mm reading:
Quentin
Tarantino's "The Hateful Eight" in Ultra Panavision 70
What did you think about the 7OMM Road
Show Version of The Hateful Eight?
"The Hateful Eight" Road Show at AFI
Silver
Internet link:
|
|
|
Go: back - top - back issues - news index Updated
21-01-24 |
|
|