“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
“The Color of Money”: The North American 70mm
Engagements
“The Hustler isn’t what he used to be. But he has the next best thing. A kid who
is.” |
Read more at
in70mm.com The 70mm Newsletter
|
Compiled by:
Michael Coate |
Date:
26.10.2019 |
The following is a reference / historical listing of the 70-millimeter
engagements of “The Color of Money” in the United States and Canada. These were
the best cinemas in which to experience this motion picture.
“The Color of Money” was among sixteen confirmed first-run films released in
1986 with 70mm prints for selected engagements. The Touchstone/Silver Screen
Partners II presentation and Buena Vista release — directed by Martin Scorsese
and starring Paul Newman and Tom Cruise — opened October 17th.
Pre-release screenings included the film’s world premiere held October 8th at
the Ziegfeld in New York and the west coast premiere held October 14th at the
Avco Center in Los Angeles.
For the release of “The Color of Money”, Buena Vista employed the services of
Lucasfilm’s Theatre Alignment Program (TAP) to evaluate and approve the cinemas
selected to book a 70mm print.
The 70mm prints of “The Color of Money” featured pillarboxed imagery
(approximately 1.85:1) blown up from spherical 35mm and Six-Track Dolby Stereo
(“A” encoded “baby boom” format).
Seventy-millimeter trailers for Buena Vista’s “Outrageous Fortune” and “Tin Men”
circulated during the release of “The Color of Money” and which the distributor
recommended be screened with the presentation. Additional 70mm trailers from
other studios circulated during this period as well. Which trailers, if any,
seen during the “Color of Money” presentations varied by venue and screening.
The duration of the engagements (measured in weeks) has been included for some
entries in parenthesis following the applicable cinema name.
Note that some of the presentations included in this listing may have been
presented in 35mm during the latter week(s) of engagement because the booking
was moved to a non-70mm-equipped auditorium within a multiplex or due to print
damage and the distributor’s unwillingness to supply a 70mm replacement print.
As well, the reverse may have been true in some cases whereas a booking began
with a 35mm print because the lab was unable to complete the 70mm print order in
time for an opening-day delivery or the exhibitor negotiated a mid-run switch to
70mm. In these cases, any 35mm portion of the engagement (or movement out of a
branded audio auditorium) has been included in the duration figure.
CALIFORNIA
Costa Mesa — Edwards’ South Coast Plaza Triplex (8)
Los Angeles — Cineplex Odeon’s Showcase (9)
Los Angeles — GCC’s Avco Center Triplex (10) [THX]
Orange — Syufy’s Cinedome 6-plex (9)
Sacramento — Syufy’s Century 6-plex (8)
San Diego — Mann’s Valley Circle (10)
San Francisco — Blumenfeld’s Royal (8)
San Jose — Syufy’s Town & Country (8)
COLORADO
Denver — Commonwealth’s Continental (4+)
DISTRICT OF COLUMBIA
Washington — Circle’s Avalon Twin (10) [HPS-4000]
KANSAS
Overland Park — Dickinson’s Glenwood 4-plex (10)
MASSACHUSETTS
Boston — Sack’s Charles Triplex (9)
NEW YORK
New York — Guild’s Embassy 1 (13)
New York — Reade’s Bay (11)
New York — Reade’s Coronet (11)
ONTARIO
Toronto — Famous Players’ Hollywood Twin (9)
QUEBEC
Montreal — United’s Loews 5-plex (8)
SUBSEQUENT 70MM ENGAGEMENTS
1986-12-12 … San Jose, CA — Syufy’s Century 23 Twin (1)
1986-12-19 … Los Angeles, CA — Mann’s Studio (1) [w/ “Top Gun”]
1987-01-16 … Downers Grove, IL — Classic Cinemas’ Tivoli (1)
The information included in this article was principally referenced from film
industry trade publications and regional newspaper promotion, with thanks to
Matt Belson and Bill Kretzel.
International 70mm engagements of this title have not been accounted for in this
article.
If you believe this article contains any errors or omissions, please
consider emailing the
author or editor.
|
More in 70mm reading:
70mm Engagements
70mm Blow Up List
Dolby Stereo
Internet link:
|
|
|
Go: back - top -
back issues -
news index Updated
21-01-24 |
|
|