
“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
 |
PRESENTED IN 70MM
• Super Technirama 70
• MCS 70 |
DEFA 70
• Dimension 150
• Sovscope 70
• ARRI 765 |
Blow-up
• 35mm to 70mm
• Blow-Up by title
• IMAX |
Cinema 180
• Showscan |
iWERKS
• Various 70mm Films
• Large Format Engagement
• Chronological
Order
VISION,
SCOPE & RAMA
• Cinerama |
Film
• Archive |
Remaster
• Cinemiracle |
Rama
• Cinerama 360
• Kinopanorama
• Circle Vision
360
• Realife |
Grandeur
• Natural Vision
• Vitascope |
Magnifilm
• Early Large Format Films
7OMM CINEMAS
• France |
Germany
• Denmark |
England
• Australia |
USA
LIBRARY
• SENSURROUND
• 6-Track Dolby
Stereo
• CDS |
DTS/DATASAT
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
7OMM NEWS
• 2025 | 2024 | 2023
• 2022 |
2021 |
2020
• 2019 |
2018 |
2017
• 2016 |
2015 |
2014
• 2013 |
2012 |
2011
• 2010 | 2009 |
2008
• 2007 | 2006 |
2005
• 2004 | 2003 |
2002
7OMM NEWSLETTER
• 2005 |
2004 |
2002
• 2001 |
2000 |
1999
• 1998 |
1997 |
1996
• 1995 |
1994 |
PDF
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas

|
| |
 |
|

• Go to A Distorted View
of Todd-AO |
|
Distortion
Correcting Printing Process
By Grant Lobban
The process was
originally designed to eliminate keystone distortion,
distortion resulting from using a deeply curved screen,
plus correcting the distortion arising from use of the
extremely wide-angle lenses |
The
Ethel O’Brien Printer
By Walter P Siegmund
During our big move from Pomfret to Brooklyn many things were found
which were long hidden and forgotten, including more old Todd-AO files and
photos. You will may find the enclosed material of further interest in
connection with the printing of the Todd-AO “Process”. These are
descriptions and original calculations on various ideas about corrective
printing the release prints. |
|
|
|
Description
of Todd-AO Mark III Printer Principle
By Dr. Walter P. Siegmund
The problem of
obtaining any given overall frame keystone
correction (K-correction) along with any given droop
while at the same time matching the "intrinsic"
printer keystone requires the control of several
factors in the printing system. The focal length of
the printer lens and the bridge angle determine the
intrinsic keystone. The curvature of field of the
printer lens and the bridge angle determine the
droop. |
"Oklahoma!"
Printing Operation in the Todd-AO Mark
III Printer
By Dr. Walter P. Siegmund
The
American Optical Company has the responsibility of printing the release
prints of the motion picture "Oklahoma!". In order that this
printing may have the closest supervision, it is planned that, at least
for the initial stages, this printing will be done in the Research
Center in Southbridge. |
Todd-AO's
Mark III Distortion Correction Printer - A Galley
The Distortion Correcting Printing Process was initially
meant to be an integrated part of the Todd-AO system. It was
originally designed to eliminate three types of distortion,
keystone distortion, distortion resulting from using a
deeply- curved screen, plus correcting the distortion
arising from use of the extremely wide-angle lenses, in both
photography and projection. |
|
| |
|
|
Online: 02-06-1999. Updated:
07-01-2023 |
|
|
|